Databases are a core concept to DaVinci Resolve, which works with two different types of databases. The SQL database is a specialty configuration for users who want to share a central server between multiple installations of DaVinci Resolve. This movie explains the basics of creating and differentiating PostGres SQL databases from the default Disk Database.
- DaVInci Resolve 12 has two types of databases that you can install to manage your projects. We already looked in the Essentials training at the disk-based database, which is the default database. It's basically the one, over the past two years, that the Blackmagic team has been migrating us all towards using. If you're just a single operator, or just running a single room of DaVinci Resolve, the disk-based database, great way of going.
But the moment you want multiple installations of DaVinci Resolve, sharing a single central database, you need to move to a PostgreSQL database, an SQL database. Now let's take a look and see how you can tell if you're running a disk-based versus a SQL database. We're in the Project Manager and this is from the project that we installed from the exercise files movie. And I'm gonna open up the Database Manager, and I've got one database in here right now, and how do I know, is this a disk-based database or a PostgreSQL database? Well, the Host column will tell me everything I need to know.
If I'm seeing something like what I'm seeing right now, which is user, slash, slash, slash. What it's telling me is this is a directory file path. It's showing me what is the directory path to get to where this database exists. This is a disk-based database. I can not share this database with other DaVinci Resolve systems. It lives only on my system and only this local installation of DaVinci Resolve can share it. To create a PostgreSQL database, what I'm gonna do is come down to Create, and the first choice that I have to make is the driver.
It's funny because the disk-based database is what's the new default for DaVinci Resolve but when you go to create a new database, the SQL database is the one that automatically pops up. So if you wanna create a PostgreSQL database, you just leave it right where it is. So what am I gonna fill out in here? Well, I'm gonna tell you what I'm not gonna fill out first. User and password, I leave these to default all the time. The fact is, if you lose this password, and you forget this password, go ahead, try emailing Blackmagic.
They will not be able to help you recover this database, which is why I always leave it at its default. If you're working in a big facility and you have robust password management, then yeah, go ahead and protect your databases by changing the password. Otherwise, for the rest of us, leaving it right where it is is the thing to do. So I'm gonna give this a label, a human-readable name that will pop up in this list every time I pop into the Database Manager. Let's call this Resolve12_Advanced_DeleteMe.
Notice that I'm only using alphanumerics and an underscore. You could also use a dash but that's the only characters available to you. I also have to give it a database name so in the actual Database Manager that's hidden deep in the nethers of my operating system here, this is actually gonna be given a real name, a database name. It does not have to match the human-readable label, but I like to make it match because it makes it much easier to find it and recover it and restore it, if I just know it's just basically the lowercase version of the human-readable labels.
So I'll call this resolve12_advanced_deleteme, all lowercase. And then it's just a matter of creating a new database. It'll take a moment. It'll do it and then it'll give me a dialog box, telling me that I was successful, which I am. So now I've got a second database up here and notice the host. The host is an IP address. Now 127.0.0.1 is the local host. It is this computer, this Mackintosh HD back here. We'll self-assign it this IP address.
This is a PostgreSQL database. There is no file path. One thing to keep in mind, if you're running a PostgreSQL database, the PostgreSQL database itself generally, usually does not live within a user. It lives outside of the user, which means if you have an automated backup routine that is not backing up your entire computer, including the operating system, then you're probably not backing up your databases, which can be very, very dangerous. So what I highly recommend you do is back up your databases on a regular basis manually, which we'll be looking at in a couple minutes.
Now there are a couple things that go along with running a PostgreSQL database that can be, problems can pop up. Sometimes you get disconnected from the database, sometimes the database stops running. What do you do in those instances? You pull up the Blackmagic DaVinci Resolve 12 user manual and check out this chapter on Managing Databases and Database Servers. There is a ton of useful information in here, including command lines that will allow you to manage your PostgreSQL database on Mac, on Windows, on Linux.
You will get the commands you need to know how to manage this server so if you are running multiple installations of DaVinci Resolve, all kind of looking at a central database server, I think you really need to spend a little bit of time and read this chapter. There are a lot of really nitty gritty details you'll wanna understand. And let's just recap real quickly the two instances when you would want to run a PostgreSQL database. Instance number one is if you have multiple rooms that share a database. They're just color correcting and you want them to be able to open up any project at any time, then you're gonna want to run a central database server.
The other instance is the collaborative workflow. So if you want an editor, an assistant editor, a colorist and an assistant colorist, working on a single project at the same time, you're going to want to run a PostgreSQL database.
Indie feature film and broadcast colorist Patrick Inhofer puts these more sophisticated features to practical use—color-grading shots from a documentary. Along the way, he covers the Resolve Studio databases, media management, advanced primary and secondary color-correction techniques, and even Resolve performance optimization. Follow along with the three "In Action" chapters to learn how to create a base grade, match shots, and build cinematic looks. Plus, get a glimpse into the advanced features available only in DaVinci Resolve Studio, such as motion effects and noise reduction, to help you decide if you need to upgrade to the paid version of DaVinci Resolve.
It doesn't matter what kinds of projects you shoot or edit. This training will help you develop your color correction "muscles" and deliver better results more reliably every time.
- Understanding Resolve's database structure and options
- Managing and relinking media
- Using the advanced primary and secondary tools
- Working with the sizing menu
- Advanced tracking
- Comparing shots in split-screen
- Reducing noise
- Increasing playback performance in DaVinci Resolve
- Rendering, delivering, and archiving footage
- Applying Resolve's tools to real-world projects
- Learning a repeatable workflow for the entire color grading process
Skill Level Advanced
Premiere Pro: Documentary Editingwith Jason Osder3h 48m Intermediate
DaVinci Resolve 12 Essential Trainingwith Patrick Inhofer15h 43m Beginner
1. Advanced Database Concepts
2. Additional Media and Edit Page Concepts
3. Advanced Color Page Concepts: Primary Corrections
4. Advanced Color Page Concepts: Secondary Corrections
5. Studio-Only Tools and Workflows
6. Increasing Playback Performance
7. Color Management and ACES
8. Rendering, Delivering, and Archiving
9. In Action: Cold Open—the Base Grade
10. In Action: Cold Open—Shot Matching
11. In Action: Building a Look
Cold open: Closing thoughts1m 32s
12. What's New in Resolve 12.5
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