Shot selection

- So let's get started here in chapter nine,…in action primers, that's the project…I've called up here on my computer.…And what are we going to do?…What's the first thing we're going to do?…In DaVinci Resolve 12 Essential Training…I talked about the hero shots workflow,…where we select shots that begin a process…of discussion with our client,…so we'll select some of the best looking shots,…the worst looking shots, the hero shots,…like you think Superman on a poster,…look for that shot in your film or in your project.…It's really like the iconic shot, pull that in,…and create a filtered timeline…that allows you to work with a subset of shots.…

Begins a conversation with your client,…you learn where the opportunities are,…and you learn where the challenges are.…Here on this cold open and in the context of…what I'm teaching you here,…I think I'm going to do a variation…on that theme.…We're going to create multiple filtered timelines…with multiple flags,…but what we're going to do is group them…in another manner.…Sometimes a lot of colors like to work this way…