From the course: DaVinci Resolve 12 Essential Training
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Shot match workflow: Matching color - DaVinci Resolve Tutorial
From the course: DaVinci Resolve 12 Essential Training
Shot match workflow: Matching color
- In the previous movie, I showed you the basic approach to shot matching. We do our base grade, we worry about each shot individually, we make the changes we need to do, the primary big honking corrections we need to do on each shot in isolation. Now we're at the point where we want to bring the two shots together, and that's what we're going to do here, we're continuing on in the timeline we left in the previous movie. And you could see just by looking at these thumbnails, there's still a problem. We've done our base grade, we've firmed up the shots, we've fixed the big overall problems but you can look, just look at these thumbnails. One is clearly warmer and greener, the other is clearly cooler, bluer. What are we going to do? Well, let's first just see how they play through. I still looping turned on, so let's turn that off, and I'm going to semicolon to the beginning of a shot and hit play. I really like how that one looks. This one doesn't thrill me at all, I don't like how…
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Contents
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Colorist lingo: What is shot matching? (Keynote)4m 58s
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Shot match workflow: Matching exposure9m 16s
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Shot match workflow: Matching color9m 45s
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The automatic Shot Match tool6m 41s
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Overview: The Gallery3m 53s
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Gallery: The Reference Wipe3m 15s
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Gallery: Copying grades and nodes5m 29s
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Versions: Flipping between multiple color corrections4m 40s
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Matching skin tone: The fundamentals6m 29s
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Matching skin tone: Examples9m 21s
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Power grades: Understanding "stills on the go"6m 32s
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In action: Hero shots and shot matching9m 2s
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