From the course: DaVinci Resolve 12 Essential Training
Unlock the full course today
Join today to access over 22,600 courses taught by industry experts or purchase this course individually.
Log wheels as secondary corrections - DaVinci Resolve Tutorial
From the course: DaVinci Resolve 12 Essential Training
Log wheels as secondary corrections
- Back when we were talking about making big, honking primary corrections and we were looking at the color wheel section of the Resolve 12 Interface, some of you may have noticed I skipped over something. If you take a look down here in Color Wheels, which is our default area of the interface that pops up when we load up DaVinci Resolve... There's a pull-down for Log. We haven't talked about this yet. Why? Well, that's because I consider these log wheels to be secondary corrections. I don't really consider them to be the same as primary wheels or primary bars. Why is that? Well, I've got a grey scale, which means I'm about to pull up my waveform scopes. And let's take a look at what happens when we adjust these. So I'm going to start with the Highlight control. And I'm just going to adjust the exposure. I'm gong to move it to the right. And it's getting brighter. Move it to the left and it's getting darker. And notice how isolated this correction is. Let's go ahead and reset that…
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
Contents
-
-
-
-
-
-
-
-
-
-
-
-
(Locked)
Colorist lingo: What is a secondary correction?3m 33s
-
(Locked)
Custom curves as secondary corrections7m 47s
-
(Locked)
Log wheels as secondary corrections6m 46s
-
(Locked)
Color wheels: Highlight and shadow controls3m 40s
-
(Locked)
Color wheels: Color boost and midtone detail controls3m 40s
-
(Locked)
Using the Hue vs. curves6m 40s
-
(Locked)
Using the Lum vs. and the Sat vs. curves4m 23s
-
(Locked)
Targeting corrections with the Hue/Saturation/Luminance (HSL) keyer8m 5s
-
(Locked)
Understanding the HSL Matte Finesse controls5m 48s
-
(Locked)
Targeting corrections with the new 3D keyer7m 15s
-
(Locked)
Limiting HSL and 3D keys with Power Windows4m 29s
-
(Locked)
Colorist lingo: What is a vignette?2m 27s
-
(Locked)
Power window fundamentals: Basic controls3m 47s
-
(Locked)
Power window fundamentals: Manipulating shapes6m 23s
-
(Locked)
Power window fundamentals: Adding and copying and pasting shapes4m 23s
-
(Locked)
Color correcting with power windows2m 44s
-
(Locked)
Node macros: The Add Outside node9m 19s
-
(Locked)
Power windows with the Tracker8m 41s
-
(Locked)
Fine-tuning your tracking8m 29s
-
(Locked)
In action: Hero shots and secondary corrections15m 4s
-
(Locked)
-
-
-
-
-