From the course: DaVinci Resolve 12 Essential Training
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Intro to color correcting: Raw - DaVinci Resolve Tutorial
From the course: DaVinci Resolve 12 Essential Training
Intro to color correcting: Raw
- Now that we understand the theoretical differences between raw and log recorded footage, let's take a look how we can immediately tell the difference in DaVinci Resolve 12, and we do that by looking at the camera raw menu, and we're going to find our camera raw controls here in the camera raw menu in the primary section of the interface. I'll click on it. And this first shot that's pulled up is a ProRes LT as we can tell right here. By default, underneath the thumbnail, DaVinci Resolve will show you the codec of the shot you're working on. We're working on ProRes 422 LT. That's not a raw codec so the camera raw controls are dimmed. If you're on DaVinci Resolve, the free version, this is not currently dimmed because you can't do raw. You can. It's dimmed because this is not a raw shot, so let's down arrow to our next shot. This is a RED shot and now all of a sudden, our camera raw controls come alive or at least some of them do. Well you notice for any raw codec is that Resolve…
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(Locked)
Colorist lingo: What is a primary correction?5m 9s
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Primary color wheels: The Offset control9m 20s
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Primary color wheels: Lift Gamma Gain brightness9m 37s
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Primary color wheels: Lift Gamma Gain color changes6m 48s
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The primary sliders and YRGB processing9m 55s
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Color wheels: Getting faster with keyboard modifiers3m 56s
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Understanding the Contrast and Pivot controls7m 21s
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Adjusting hue and saturation4m 57s
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The RGB mixer8m 48s
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Using curves as primary corrections6m 25s
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Colorist lingo: What are raw and log formats and lookup tables (LUTs)?8m 25s
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Intro to color correcting: Raw5m 4s
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Intro to color correcting: Log with LUTs6m 19s
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In action: Hero shot and primary grades14m 8s
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