New in DaVinci Resolve 12 is the ability to export not just a DaVinci Resolve .drp project file, but an archive that includes all of the media associated with that project. In this movie, author Patrick Inhofer will walk you through what this new archive file format looks like and how to restore a project that has been archived.
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- Now common deliverable that a lot of us have to send off…for our clients are exports for Pro Tools.…Very often I have clients that want me to deliver not only…the Pro Tools export, they also want to deliver as much to…the final color grade as possible, so that the audio person…is able to look at the images the way they're actually…going to be and there's an option…for that here in DaVinci Resolve 12.…If I come up in the deliver page to our easy set-ups…and expose them, as I scroll down export to avid Pro Tools.…
I'll load that up and it gives me…some options that don't otherwise exist.…Well the first thing it does it sets my video format and…kodak to something that Pro Tools can read,…which is namely DNX HD, and I can change the…flavor that I want to deliver to them.…As I scroll down and reveal these more options,…you're going to notice these are very much the same…type of options we have with just about any other output.…The thing to keep in mind is not only are we creating an…AIF file that can be imported into Pro Tools that has all…
Indie feature film and broadcast colorist Patrick Inhofer puts these more sophisticated features to practical use—color-grading shots from a documentary. Along the way, he covers the Resolve Studio databases, media management, advanced primary and secondary color-correction techniques, and even Resolve performance optimization. Follow along with the three "In Action" chapters to learn how to create a base grade, match shots, and build cinematic looks. Plus, get a glimpse into the advanced features available only in DaVinci Resolve Studio, such as motion effects and noise reduction, to help you decide if you need to upgrade to the paid version of DaVinci Resolve.
It doesn't matter what kinds of projects you shoot or edit. This training will help you develop your color correction "muscles" and deliver better results more reliably every time.
- Understanding Resolve's database structure and options
- Managing and relinking media
- Using the advanced primary and secondary tools
- Working with the sizing menu
- Advanced tracking
- Comparing shots in split-screen
- Reducing noise
- Increasing playback performance in DaVinci Resolve
- Rendering, delivering, and archiving footage
- Applying Resolve's tools to real-world projects
- Learning a repeatable workflow for the entire color grading process
Skill Level Advanced
Documentary Editing with Premiere Prowith Jason Osder3h 48m Intermediate
DaVinci Resolve 12 Essential Trainingwith Patrick Inhofer15h 43m Beginner
1. Advanced Database Concepts
2. Additional Media and Edit Page Concepts
3. Advanced Color Page Concepts: Primary Corrections
4. Advanced Color Page Concepts: Secondary Corrections
5. Studio-Only Tools and Workflows
6. Increasing Playback Performance
7. Color Management and ACES
8. Rendering, Delivering, and Archiving
9. In Action: Cold Open—the Base Grade
10. In Action: Cold Open—Shot Matching
11. In Action: Building a Look
Cold open: Closing thoughts1m 32s
12. What's New in Resolve 12.5
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