The ‘Split Screen’ command in DaVinci Resolve has many different options for comparing shots to one another. In this movie, author Patrick Inhofer will show you how you can compare all the shots in a common Group to one another, simultaneously. This is a very powerful way of evaluating shot matching and Looks with your client.
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- In the previous movie where I introduced you…to the concept of split screens,…I'm sure you noticed that pull-down menu,…I had to get through a whole lot of options…before we hit Gallery Grades…so let's start hitting some of those options…so you know precisely what they do.…We're continuing on from the timeline…we were previously using…and what I'm going to do now is…instead of Gallery Grades…let's take a look at Versions and Originals.…We looked at Versions before.…If you just swap between the two,…these are versions,…versions and original,…the original being the ungraded clip, right?…So if I go to Versions,…Version One is my initial color grade.…
If I go to Versions Plus Original…it's ungraded, initial color grade,…version two, version three, and so on.…You've got multiple versions…and it'll squeeze down into smaller and smaller boxes.…Now another option here is Groups.…So let's go ahead and let's assign…these four shots that I've already color graded…into a group.…So I've got shot seven highlighted,…I'm going to Shift click on shot four,…
Indie feature film and broadcast colorist Patrick Inhofer puts these more sophisticated features to practical use—color-grading shots from a documentary. Along the way, he covers the Resolve Studio databases, media management, advanced primary and secondary color-correction techniques, and even Resolve performance optimization. Follow along with the three "In Action" chapters to learn how to create a base grade, match shots, and build cinematic looks. Plus, get a glimpse into the advanced features available only in DaVinci Resolve Studio, such as motion effects and noise reduction, to help you decide if you need to upgrade to the paid version of DaVinci Resolve.
It doesn't matter what kinds of projects you shoot or edit. This training will help you develop your color correction "muscles" and deliver better results more reliably every time.
- Understanding Resolve's database structure and options
- Managing and relinking media
- Using the advanced primary and secondary tools
- Working with the sizing menu
- Advanced tracking
- Comparing shots in split-screen
- Reducing noise
- Increasing playback performance in DaVinci Resolve
- Rendering, delivering, and archiving footage
- Applying Resolve's tools to real-world projects
- Learning a repeatable workflow for the entire color grading process
Skill Level Advanced
Documentary Editing with Premiere Prowith Jason Osder3h 48m Intermediate
DaVinci Resolve 12 Essential Trainingwith Patrick Inhofer15h 43m Beginner
1. Advanced Database Concepts
2. Additional Media and Edit Page Concepts
3. Advanced Color Page Concepts: Primary Corrections
4. Advanced Color Page Concepts: Secondary Corrections
5. Studio-Only Tools and Workflows
6. Increasing Playback Performance
7. Color Management and ACES
8. Rendering, Delivering, and Archiving
9. In Action: Cold Open—the Base Grade
10. In Action: Cold Open—Shot Matching
11. In Action: Building a Look
Cold open: Closing thoughts1m 32s
12. What's New in Resolve 12.5
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