From the course: DaVinci Resolve 12 Essential Training
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Color wheels: Getting faster with keyboard modifiers - DaVinci Resolve Tutorial
From the course: DaVinci Resolve 12 Essential Training
Color wheels: Getting faster with keyboard modifiers
- In my previous movie, I talked about how much I like working with the primary bars; how I really feel they are instrumental to understand. But the truth is, the color wheels often feel a lot more naturalistic, right? It's a color wheel, and we know that if we want less of one color, we just move in the opposite direction of that color, looking at the color wheel. The primary bars make it really tough to do that, so let's jump back into our color wheels and let me show you a couple of keyboard modifiers that make much quicker work of what we're doing in there when we're working on our maths. As Resolve does, it always opens up here into the primary bars. I'm going to switch into the color wheels and now rather than using the pull-down window, because if I use the pull-down, it's one click to open the pull-down and a second click to get to the wheels, let's set this back to bars. Much quicker is to use one of these little dots. So the dots relate to the pull-down, and they work in…
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Contents
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Colorist lingo: What is a primary correction?5m 9s
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Primary color wheels: The Offset control9m 20s
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Primary color wheels: Lift Gamma Gain brightness9m 37s
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Primary color wheels: Lift Gamma Gain color changes6m 48s
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The primary sliders and YRGB processing9m 55s
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Color wheels: Getting faster with keyboard modifiers3m 56s
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Understanding the Contrast and Pivot controls7m 21s
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Adjusting hue and saturation4m 57s
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The RGB mixer8m 48s
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Using curves as primary corrections6m 25s
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Colorist lingo: What are raw and log formats and lookup tables (LUTs)?8m 25s
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Intro to color correcting: Raw5m 4s
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Intro to color correcting: Log with LUTs6m 19s
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In action: Hero shot and primary grades14m 8s
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