When it comes to creating Looks, the first thing you need to know is that there are only two types of Looks: Those that you want the audience believe are ‘real’ images. And those that you want the audience to believe are ‘unreal’ images. In this movie you’ll learn the difference plus the single most important color for creating Looks.
- So, I figure we're gonna begin on this hut sequence,…and we're gonna create a look for this hut sequence.…Remember, we're in a cold open.…It's okay if it gets a little stylized.…I still want to keep these images looking real, but I want…to make them a little bit more dynamic.…And I'm gonna start by grouping this sequence of…shots together.…Now, if you have the exercise files and are following along,…we're now in Chapter 11 in Timeline 11_02.…And I'm building upon where we finished at the end of…the previous chapter.…
And so, to start off, I'm gonna group these guys together.…So, I'm gonna click on the first clip in the group,…and I'm gonna Shift click on the last clip in the group.…Right-click and…Add into a New Group.…I'm gonna give this group a name, Golden Hut.…Click OK.…Now they're linked together.…So, now I'm gonna start working post clip.…Remember, we've already done all our shot matching.…We've gotten these shots basically in the same space.…
Remember, we wanted to match to this wide shot that had…this really heavy golden look on them.…
Author
Patrick Inhofer
Updated
11/17/2016Released
3/4/2016Indie feature film and broadcast colorist Patrick Inhofer puts these more sophisticated features to practical use—color-grading shots from a documentary. Along the way, he covers the Resolve Studio databases, media management, advanced primary and secondary color-correction techniques, and even Resolve performance optimization. Follow along with the three "In Action" chapters to learn how to create a base grade, match shots, and build cinematic looks. Plus, get a glimpse into the advanced features available only in DaVinci Resolve Studio, such as motion effects and noise reduction, to help you decide if you need to upgrade to the paid version of DaVinci Resolve.
It doesn't matter what kinds of projects you shoot or edit. This training will help you develop your color correction "muscles" and deliver better results more reliably every time.
- Understanding Resolve's database structure and options
- Managing and relinking media
- Using the advanced primary and secondary tools
- Working with the sizing menu
- Advanced tracking
- Comparing shots in split-screen
- Reducing noise
- Increasing playback performance in DaVinci Resolve
- Rendering, delivering, and archiving footage
- Applying Resolve's tools to real-world projects
- Learning a repeatable workflow for the entire color grading process
Skill Level Advanced
Duration
Views
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Introduction
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Welcome4m 28s
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Using the exercise files4m 58s
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1. Advanced Database Concepts
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Studio databases: Postgres6m 14s
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Restoring databases1m 39s
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Working with multiple users3m 42s
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Unlocking users2m 11s
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2. Additional Media and Edit Page Concepts
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Using the Take Selector5m 49s
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Compound clips: Grading2m 42s
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3. Advanced Color Page Concepts: Primary Corrections
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The sizing menu: Overview3m 28s
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LAB color space tips4m 15s
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YUV color space tips3m 31s
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Y-only vs. YRGB adjustments2m 51s
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LUT creation mistakes5m 14s
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4. Advanced Color Page Concepts: Secondary Corrections
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Tracker: Stabilization4m 22s
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Grading the key signal2m 34s
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Blur: Mist controls2m 24s
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5. Studio-Only Tools and Workflows
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Spatial noise reduction7m 2s
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Temporal noise reduction5m 2s
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Noise reduction tips10m 15s
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Motion blur6m 16s
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6. Increasing Playback Performance
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The optimized media workflow6m 35s
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The proxies workflow3m 20s
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Understanding user caching9m 45s
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User cache vs. Smart cache3m 18s
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7. Color Management and ACES
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8. Rendering, Delivering, and Archiving
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Rendering multiple outputs4m 19s
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Using the Archive feature2m 26s
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Exporting to Pro Tools1m 34s
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About8m 40s
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9. In Action: Cold Open—the Base Grade
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Exporting using easyDCPAbout2m 33s
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Shot selection4m 36s
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The base grade: Safari6m 19s
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Saving a shot at full speed6m 43s
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10. In Action: Cold Open—Shot Matching
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Evaluation of base grade5m 13s
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Shot matching: Hut, part 110m 46s
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Shot matching: Hut, part 28m 57s
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Shot matching: Hut, part 34m 17s
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Shot matching: Mountain7m 34s
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Shot matching: Ven6m 28s
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11. In Action: Building a Look
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Cold open: Closing thoughts1m 32s
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12. What's New in Resolve 12.5
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Welcome1m 51s
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Importing the update1m 47s
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Timeline smart filters2m 30s
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Exporting alpha channels1m 53s
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Conclusion
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Conclusion44s
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Video: Cold open: Grouping and setting looks