Understanding how an individual node processes color is critical when changing the color space of a node. In this video tutorial, you will learn how the individual color channels work together and see some experimentation with combining different RGB, YUV, and HSL channels. You will also learn how to create new serial nodes in DaVinci Resolve 11.
- I wanted to take a moment to point out…a very nifty feature in Resolve 11.…It's something that's kind of a power user feature,…but it's something that I think even someone new…to DaVinci Resolve and new to color correction in general…might eventually find some use for.…It's the ability to change…how an individual node processes its color.…Here on shot six, I've gone ahead and…done a very little bit of a grade,…a very little bit of a grade,…just added, basically, some saturation in here.…
I'm going to option + s and create a new serial node.…Let me show you some other things…we can do with serial nodes.…I'm going to right-click,…and I can enable channel one, two or three,…or any combination of these.…What is channel one, two or three?…Well, by default, the color space…of an individual node is RBG.…If I come up here to Color Space, RBG is selected.…If I turn off channel two,…and then I'll select again and turn off channel three,…this node will only affect the red channel.…
Remember, earlier we did the splitter/combiner,…
Author
Patrick Inhofer
Released
11/7/2014In these tutorials, indie-feature-film and broadcast colorist Patrick Inhofer guides viewers through color grading with DaVinci Resolve and Resolve Lite 11. With emphasis placed on real-world techniques and workflows, the course will help editors and aspiring colorists edit in the timeline, perform primary and secondary color corrections, match shots from multiple cameras, create mood-rich looks, and render out movies to share with clients. Interspersed throughout the course are "lingo" movies, which will help you learn the language of colorists, and "in action" chapters, where Patrick applies the lessons learned to a real-world music video for the band Minimus the Poet.
- Building a Revolve system
- Comparing Resolve and Resolve Lite
- Tweaking preferences for better performance
- Getting clips, timelines, and projects into Resolve
- Editing footage in Resolve
- Evaluating images like a colorist
- Working with serial nodes
- Making contrast and color adjustments
- Making targeted secondary corrections with keys and shapes
- Creating looks with third-party plugins
- Matching shots
- Rendering, delivering, and archiving footage
Skill Level Beginner
Duration
Views
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Introduction
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Welcome3m 16s
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Using the exercise files9m 50s
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1. Building a Resolve System
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Who uses DaVinci Resolve?3m 52s
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Upgrading DaVinci Resolve5m 30s
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2. Understanding Databases, Users, and Projects
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Databases: Disk-based5m 30s
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Updating databases6m 36s
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Managing users4m 27s
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3. Getting Started with DaVinci Resolve 11
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Interface overview7m 36s
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Customizing the interface8m 50s
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Working with dual displays5m 19s
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4. Editing a Project in DaVinci Resolve 11
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The Edit page in detail4m 45s
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Keyboard shortcuts5m 38s
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Editing into a timeline7m 32s
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Working in the Edit mode6m 39s
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Working in the Trim mode7m 5s
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Working with audio8m 51s
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5. Moving a Project from a Nonlinear Editor (NLE) to Resolve
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6. Image Evaluation: Seeing Like a Colorist
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7. Understanding Nodes
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What is a serial node?9m 39s
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8. Primary Color Correction Tools
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The Primary sliders4m 9s
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Y-only vs. YRGB adjustments5m 57s
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Adjusting hue and saturation2m 16s
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The RGB mixer5m 1s
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Raw controls7m 50s
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Working with log footage7m 59s
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LUTs in action5m 22s
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What are 1D and 3D LUTs?4m 53s
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9. In Action: Primary Color Correction
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10. Secondary Color Correction Tools
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Using the Hue Vs. curves8m 4s
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Tracker: Fundamentals8m 31s
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Tracker: Advanced tracking3m 59s
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Tracker: Stabilizing shots5m 25s
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11. Shot Matching
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What is shot matching?4m 31s
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Overview: The gallery8m 40s
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Gallery: The Reference Wipe7m 42s
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The split-screen view6m 46s
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Matching exposure8m 13s
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Matching color7m 53s
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12. In Action: Secondaries and Shot Matching
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Hero shots: Fixing problems6m 51s
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13. Building Looks: Essential Tools
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Node and input resizing6m 46s
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Render cache: User mode8m 33s
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Render cache: Smart mode7m 37s
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Keyframing fundamentals8m 27s
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Temporal noise reduction7m 58s
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14. In Action: Building a Look
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15. Rendering, Delivering, and Archiving
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Rendering: Individual shots10m 56s
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Final rendering and delivery4m 52s
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Backing up and archiving5m 30s
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16. DaVinci Resolve Updates
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Conclusion
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Goodbye2m 54s
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Video: Changing the color space of a node