Welcome

Contents

• Introduction Introduction

  • Welcome

    1m 7s
• 1. High Frame Rate Shoot Out: Production 1. High Frame Rate Shoot Out: Production

  • High frame rate shootout

    2m 43s
  • (Locked)
    Footage at 60 frames per second

    4m 40s
  • (Locked)
    Footage at 120 frames per second

    5m 19s
  • (Locked)
    Footage at 240 frames per second

    8m 28s
• 2. Post-Processing High-Frame-Rate Footage 2. Post-Processing High-Frame-Rate Footage

  • Processing high-frame-rate footage

    1m 24s
  • (Locked)
    Using After Effects to slow down high-frame-rate footage

    6m 43s
  • (Locked)
    Slowing down high-frame-rate footage with time warping

    6m 44s
• 3. Advanced Slow Motion with Third Party Effects 3. Advanced Slow Motion with Third Party Effects

  • (Locked)
    Using Twixtor to slow footage down

    7m 48s
  • (Locked)
    Using Digital Anarchy to remove flicker from high-frame-rate footage

    8m 34s
• 4. Calibrating a Computer Display Manually, Part 1 4. Calibrating a Computer Display Manually, Part 1

  • (Locked)
    The importance of calibrating displays

    4m 7s
  • (Locked)
    Calibrating displays on a PC

    6m 7s
  • (Locked)
    Calibrating displays on a Mac

    4m 36s
• 5. Calibrating a Computer Display Using Hardware, Part 2 5. Calibrating a Computer Display Using Hardware, Part 2

  • Choosing a meter

    3m 4s
  • (Locked)
    Calibrate with X-Rite i1Profiler

    8m 56s
  • (Locked)
    Calibrating advice

    2m 51s
• 6. Mounting Disk and Recovering Files 6. Mounting Disk and Recovering Files

  • Mounting a disk and recovering files

    1m 29s
  • (Locked)
    Recovering media

    6m 12s
  • (Locked)
    Mounting a disk image

    7m 29s
• 7. How Can I Create a Lookup Table? 7. How Can I Create a Lookup Table?

  • (Locked)
    What Is a lookup table (LUT)?

    39s
  • (Locked)
    Using Adobe Hue

    4m 29s
  • (Locked)
    Applying or modifying a LUT

    5m 30s
  • (Locked)
    Manipulating LUTs with Lattice

    5m 31s
  • (Locked)
    Putting LUTs to use on set

    4m 26s
• 8. How Do I Shoot Green Screen on a Budget? 8. How Do I Shoot Green Screen on a Budget?

  • Shooting green screen on a budget

    36s
  • (Locked)
    Why shoot green screen?

    2m 35s
  • (Locked)
    Lighting two things

    3m 26s
  • (Locked)
    A budget green screen

    3m 6s
  • (Locked)
    Using a professional green-screen backdrop

    7m 12s
  • (Locked)
    Gear overview

    6m 23s
• 9. How Do I Improve the Quality of My Green-Screen Shoots? 9. How Do I Improve the Quality of My Green-Screen Shoots?

  • Improving the quality of green-screen shots

    40s
  • (Locked)
    Using a hard cyc green-screen backdrop

    2m 51s
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    Studio lighting for green-screen projects

    3m
  • (Locked)
    Testing the backdrop with a monitor

    2m 23s
  • (Locked)
    Testing the backdrop onset

    3m 15s
  • (Locked)
    Shooting in portrait mode

    2m 29s
  • (Locked)
    Gear overview

    6m 59s
• 10. How Can I Make Post-Production Easier for Greenscreen Projects? 10. How Can I Make Post-Production Easier for Greenscreen Projects?

  • (Locked)
    Improving the quality of green-screen shots

    1m 3s
  • (Locked)
    Choosing the right acquisition format

    3m 38s
  • (Locked)
    Capturing uncompressed video on set

    5m 42s
• 11. What Makes Good Green-Screen Footage? 11. What Makes Good Green-Screen Footage?

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    Evaluating the keying footage from a Canon camera

    5m 34s
  • (Locked)
    Evaluating the keying footage from a Panasonic Lumix GH4

    3m 7s
  • (Locked)
    Evaluating the keying footage from a Sony a7S

    5m 29s
  • (Locked)
    Blending a key with the background with Light Wrap by Red Giant

    5m 58s
  • (Locked)
    Blending a key with the background with Lighwrap by Digital Anarchy

    3m 39s
• 12. Making Killer Backgrounds for Green Screen 12. Making Killer Backgrounds for Green Screen

  • (Locked)
    Making killer backgrounds for green screen

    46s
  • (Locked)
    Shooting defocused still plates

    3m 5s
  • (Locked)
    Shooting defocused video plates

    2m 56s
  • (Locked)
    Defocusing backgrounds in Photoshop CC

    5m 12s
  • (Locked)
    Shoot plates with a light field camera

    3m 23s
  • (Locked)
    Post-processing a light field camera

    6m 41s
  • (Locked)
    Gear overview

    4m 15s
• 13. Charging Batteries on the Go 13. Charging Batteries on the Go

  • (Locked)
    Charging on the go

    52s
  • (Locked)
    Starting out fully charged

    2m 24s
  • (Locked)
    Using an inverter

    4m
  • (Locked)
    Using a solar charger

    2m 36s
  • (Locked)
    Using a battery pack

    2m 13s
  • (Locked)
    Strategies to extend battery life

    3m 57s