From the course: DSLR Video Tips: Gadgets & Gear
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Evaluating the shots
Robbie Carman: So Rich, we're here back in the studio, and we've got some shots that we have recorded out in the field showing some different techniques about getting the camera up high. We have monopod, we have a jib shot. Let's go ahead into Premiere Pro here and take a look at some of the shots. Rich Harrington: Yeah, on the left here, you were operating the monopod shot and you were sort of off to the wings. Now, while these look like lower angles, you were actually shooting from the floor so the fact that you were able to shoot up at an angle, get the performer and get even eye-level with him, means that you're able to extend the reach and you know Rob, in order for you to be eye level at him, the camera was at a good six feet. Which, of course, you could be holding it there the whole time but, after what, seven takes of a song? Five minutes I don't know, can, I can't hold a camera for a half an hour at that position. Robbie Carman: And when you factor in the fact that I'm four…
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