Join Richard Harrington for an in-depth discussion in this video Evaluating the results, part of DSLR Video Tips: Lighting.
Male 1: Okay.…We're back in the studio and like we've been doing for past episodes, let's take…a look at some of the footage and see how all these pieces really worked out.…We're in a car situation here.…Cars aren't known for great lighting.…Male 2: Not unless you're in a Rolls Royce or something where they…put those you know, really lights on just to make you feel more important.…Male 1: Yeah, and, and as we look at this here, you know, there's…nothing wrong with the shot, let's bring up the scope, I mean, you know,…we are not over exposed, we're not dramatically under…exposed, but I would say that it's not great, right?…Male 2: No, I mean the thing that is bothering you about…this is that, you know, his face is certainly dark, but that's okay.…
He's inside of car.…We do have a little highlight there, you know, some of the…reflection on the glass we can see back through the windows behind him.…But, I mean, where did the interior of the car go?…I mean, you know, we're sort of getting totally crushed on the seats.…
- Moving lights off-center
- Controlling exposure in bright areas
- Using ND filters and matte boxes
- Overpowering a backlight
- Maximizing available light with reflectors and shiny boards
- Using battery-operated LEDs and flashlights
- Enhancing shots in post-production
Skill Level Appropriate for all
Video Foundations: Cameras and Shootingwith Anthony Q. Artis2h 58m Appropriate for all
DSLR Video Tips: Cameras & Lenseswith Richard Harrington8h 13m Appropriate for all
DSLR Video Tips: Technical Knowledgewith Richard Harrington4h 7m Appropriate for all
1. Can I Attach Lights to the Camera?
Moving lights off-center3m 42s
2. How Do I Control Exposure and Depth of Field in Bright Light?
3. How Do I Deal with Backlit Subjects in Production?
4. How Do I Light without Electrical Outlets Using Available Light?
5. How Do I Light without Electrical Outlets Using Alternate Sources?
6. How Do I Deal with Backlit Subjects in Post-Production?
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