From the course: DSLR Video Tips: Cameras & Lenses
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Assembling footage
All right, Rob, so, we have 120 frames per second. >> Yeah, now this is the thing that's confusing people, too, is that when you look on your phone and you saw, we saw those >> Yeah. >> Those little hash marks making it slow motion. On the phone, you can choose which section is slow motion and how you ramp it all comes up. When you pull it off of your phone and on to your machine as an MOV like this To bring into what we're going to use Premiere Pro, you're getting all 120 frames per second. You're not getting these sections of slow-mo. >> Which is what I want >> Right, because you want >> I want the ability to do it to music or where it makes sense editorially. >> Ab, absolutely, so just don't think that, oh, no, I didn't actually shoot slow-mo, what's wrong? Keep in mind you're getting that full 120 frames per second. >> So we'll hit Cmd+i for import >> Yep. >> And I'll just go to the desktop, where all good files live…
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