Adapting video

Rich Harrington: We've covered on a previous episode that trying to look to the live view monitor…really makes it difficult to do things like focus and exposure. It's not ergonomic,…it's not in a good place. Robbie Carman: Yeah.…Rich: Plus, a lot of times that when we're on set we actually need to collaborate with…other people, share the video signal.…Robbie: That's right, I mean we've have talked about this before where everything looks good…on the back of a 3-inch monitor.…So, oftentimes you want to pipe out of the camera.…So, you know, something simple, maybe you'd like an EVF, like an electronic viewfinder…like this, may be a larger monitor like this, or maybe you might go even bigger you know.…

Sometimes on set you might have something like, you know, a plasma, or a big LCD, way…back offset where clients can be comfortable of making it sit and watch what's going on.…But to do that, Rich, we need to be able to most likely adapt the signal in some shape or fashion, right?…Rich: Yeah, I think the first thing you are going to have to decide is what type of video…