From the course: Cubase Pro 10 Essential Training: The Basics
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Insert and send effects - Cubase Tutorial
From the course: Cubase Pro 10 Essential Training: The Basics
Insert and send effects
- [Instructor] When we record acoustic instruments or vocals into a Cubase project, I think it's fair to say it's virtually always best to record them dry. In other words, record the audio with no effects added, and this is because it provides us with the most flexibility when mixing the project. If the main vocal was recorded with reverb and delay added, for example, it makes it more difficult to mix with the other instruments because effects are part of the file. Now to be fair, the vocal file that we've listened to recently has reverb and delay effects embedded into the recording, and as a result, they can't be removed. Have a listen to this vocal again, and you'll hear the embedded effects. To make hearing those effects easier, I've got it in solo mode. ♪ Can't forget the feeling ♪ ♪ The first time that we kissed ♪ - [Instructor] Okay, so we heard the vocal with embedded reverb and delay. It's not too prominent, and the reverb length and delay timing have been subtly added…
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Contents
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Playback and transport options5m 47s
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(Locked)
Investigating preferences3m 33s
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(Locked)
Using markers5m 10s
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(Locked)
Tempo and time signature4m 35s
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(Locked)
Metronome4m 27s
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(Locked)
Project preview2m 28s
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(Locked)
Parts and events6m 27s
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(Locked)
Insert and send effects6m 37s
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(Locked)
Channel strips3m 39s
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(Locked)
MixConsole4m 13s
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