Join Robbie Carman for an in-depth discussion in this video Using secondary corrections to protect for Broadcast Safe, part of Color Correction in Final Cut Pro X.
I would love to tell you that color correction is all glitz and glamor.…Well, maybe it is if you are working on huge budget Hollywood film, but for…most of us, the color correction that we do day in, day out is all about fixing problems.…And one of those problems is making sure that footage adheres to…broadcast standards.…Broadcast-safe or Broadcast-legal standards are standards published by…broadcasters and govern things like how bright or how dark things can be on screen.…And in this movie I want to talk about using secondary color corrections to help…us ensure broadcast legality.…Why secondary? Well, sometimes you can't fix broadcast legality issues with…primary color corrections without making the shot look, well, not so good.…
This project contains a couple of shots that have already been balanced with a…primary color correction but need some help with a secondary color correction…to make them broadcast legal.…Let's go ahead and take a look at this first shot.…It looks okay, but obviously the thing that pops out at you is this red folder,…
- Understanding the video scopes
- Using Balance Color and Match Color
- Fixing under- and overexposed clips
- Expanding contrast
- Controlling saturation
- Using color and shape masks
- Creating looks with primary and secondary corrections
Skill Level Beginner
1. Color Correction Tools in Final Cut Pro X
2. Making Primary Corrections
3. Creating Looks with Primary Corrections
4. Making Secondary Corrections
5. Creating Looks with Secondary Corrections
Additional resources1m 55s
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