Join Danny Janevski for an in-depth discussion in this video Shuffle node and scene setup, part of Matte Painting: Environments for Film.
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- [Instructor] Now to get good at something,…it's important to repeat it, and in this case…we're going to try to import our PSD file in again.…This time we've renamed the PSD file, so let's do that.…Sometimes when you've got more than one,…you will come up as a sequence so you can click that…and turn that off.…Let's pick 08_02 this time and open that,…and click on it, press one, break out the layers…and look at that, lo and behold.…Now let's go to these merge nodes and see what they do.…
The first one mode is the sky over the far backgrounds,…and in the following, merge the layers over the top…of each other.…You can see there's our mist layer and so on and so forth,…getting slightly darker until we get to…our closest most layer.…Now when working in new compositing it's almost imperative…to have two screens.…One of your screens should be color correct.…Now that's so that you can have this viewer on the color…correct screen and you can be working in your nodes…and properties on the other screen.…
It's pretty imperative because as you can see here…
- Laying out geometry in Clarisse
- Importing and separating geometry in ZBrush
- Creating top-down renders
- World building with World Machine
- Creating shaders in Clarisse
- Matting painting the sky and mountain in Photoshop
- Compositing and rendering the matte painting in NUKE
Skill Level Intermediate
Layout geometry in Clarisse2m 51s
2. Asset Creation
3. World Building and Terrain Generation
4. Look Development
5. Final Layout
Creating the final layout7m 45s
6. Project Setup
7. Matte Painting
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