Author
Danny Janevski
Released
11/7/2016- Laying out geometry in Clarisse
- Importing and separating geometry in ZBrush
- Creating top-down renders
- World building with World Machine
- Creating shaders in Clarisse
- Matting painting the sky and mountain in Photoshop
- Compositing and rendering the matte painting in NUKE
Skill Level Intermediate
Duration
Views
- [Danny] Hi I'm Danny Janevski and welcome to Matte Painting Environments for Film. In this course we'll be showing you some of the latest techniques used by studios around the world to create matte paintings and environments. We'll discuss the importance of layout and set break up, then we'll import geometry in Z brush to create top down renders. Next we'll continue to build our world in World Machine. After that we'll begin painting in Photoshop. Finally we bring our matte painting into Nuke for the final render. Shall we begin?
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Introduction
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Welcome32s
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What to know18s
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Exercise files29s
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1. Layout
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Layout geometry in Clarisse2m 51s
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2. Asset Creation
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Renaming geometry1m 12s
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Creating a top-down render1m 59s
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3. World Building and Terrain Generation
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Import into World Machine5m 21s
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Adding color to erosion8m 23s
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Mesh and texture output12m 40s
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Advanced macros2m 28s
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4. Look Development
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Import OBJs into Clarisse7m 40s
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Setting up Lookdev7m 5s
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Creating a layered shader8m 24s
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Creating a rock and sand shader12m 54s
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5. Final Layout
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Creating the final layout7m 45s
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6. Project Setup
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Projection setup5m 44s
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Creating render layers9m 13s
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Resolution55s
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7. Matte Painting
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Key art: Paint setup3m 33s
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Key art: Creating a haze6m 26s
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Key art: Sky setup7m 32s
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Key art: Painting the sky5m 15s
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Key art: Painting the mountain10m 59s
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Key art: Final touches7m 46s
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Exporting layers6m 2s
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8. Projection
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Importing layers into Nuke2m 38s
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Shuffle node and scene setup4m 50s
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Projection5m 59s
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Compositing1m 44s
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Rendering6m 12s
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Final render17s
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Conclusion
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Next steps34s
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Video: Welcome