Join Andy Needham for an in-depth discussion in this video Solving camera data and refining the results, part of Creating a Show Open in After Effects and CINEMA 4D.
…So our layers been tracked and we've removed points…in the sky that we know aren't any good.…And you might want to consider removing some…of these shorter ones, but we're going to…look at doing that with thresholds once we…refresh the solve and see what error we get.…But feel free to go through the shot and just have a look at points…that jump out to you that are definitely not going to help contribute to the solve.…So, what we'll do is we'll press solve camera and…we'll get an initial result and we'll go from there.…
So by solving the camera we're taking all these 2D tracks and turning them into a…3D representation of where the camera was when…it was used to film the actual footage.…So the camera tracker has solved our shot, and this error is pretty high.…It's 3.82 pixels.…And that is unacceptable for HD footage.…You want to get below one pixel for this kind of frame size.…With a larger frame size, you can get away with a higher error, but I…would say we definitely want to look at ways that we can get this down.…
Want to create the same effect in Nuke? Check out Creating a Show Open in Nuke X and CINEMA 4D.
- Using CameraTracker to track a shot
- Solving the camera data
- Setting a ground plane
- Importing the logo
- Animating the logo with the inheritance effector
- Randomizing particle motion
- Lighting the scene
- Compositing in After Effects
Skill Level Intermediate
Mograph Techniques: Spline Dynamics with CINEMA 4Dwith EJ Hassenfratz1h 13m Intermediate
Creating a Show Open in Nuke X and CINEMA 4Dwith Andy Needham2h 6m Intermediate
Mograph Techniques: Dynamic Camera Movementwith Ian Robinson1h 52m Intermediate
1. Planning the Shot
2. Tracking the Shot
3. Adding a 3D Logo in CINEMA 4D
4. Compositing in After Effects
Next steps1m 10s
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