Join Andy Needham for an in-depth discussion in this video Importing the rest of the sequence, part of Creating a Show Open in After Effects and CINEMA 4D.
…When creating this course, we envisioned a full sequence of three shots.…And, throughout, we've only focused on the final shot in that sequence.…In the exercise files, I've included the original footage, for shots one and two.…And you can use them to, following…the techniques we discussed, to complete the sequence.…So, let's take a look at what a completed sequence could look like.…If we go into After Effects and import our shots.…We're going to import multiple files.…So just navigate to the Completed Shots folder and…we'll select Shot One and import that image sequence.…
And then followed by two and three.…So now, we can bring all of these shots into a sequence, into their own comp.…So, we'll select first one, then two, then three.…Then, we'll drag them into the New Comp…button, and we want to sequence the layers.…And we'll choose OK.…And so we, now we have our three shots in After Effects.…And we can just do a Run Preview and see the result we've got.…I'm just going to change this quality to Full, and we'll just let that preview.…
Want to create the same effect in Nuke? Check out Creating a Show Open in Nuke X and CINEMA 4D.
- Using CameraTracker to track a shot
- Solving the camera data
- Setting a ground plane
- Importing the logo
- Animating the logo with the inheritance effector
- Randomizing particle motion
- Lighting the scene
- Compositing in After Effects
Skill Level Intermediate
Mograph Techniques: Spline Dynamics with CINEMA 4Dwith EJ Hassenfratz1h 13m Intermediate
Creating a Show Open in Nuke X and CINEMA 4Dwith Andy Needham2h 6m Intermediate
Mograph Techniques: Dynamic Camera Movementwith Ian Robinson1h 52m Intermediate
1. Planning the Shot
2. Tracking the Shot
3. Adding a 3D Logo in CINEMA 4D
4. Compositing in After Effects
Next steps1m 10s
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