Join Scott Hirsch for an in-depth discussion in this video Working with sound in the Waveform Editor, part of Sound Design for Motion Graphics.
- We're going to continue adding and shaping…sounds to fit the graphics for our sequence.…In this movie, we'll use the Waveform Editor…to get an up-close and personal look at…our clips, and we'll use effects to alter those clips.…All while maintaining sync with our main video.…So I want to enhance the animation that happens…on this upstroke and downstroke text.…Now, if I hit play, you can watch…the upstroke blinks in green and…the downstroke blinks in blue.…Now I'll watch it one more time,…and I want to have some sort of…sound effect that emphasizes that blinking.…
Ok, so I've added two sound effects,…I'll unmute their tracks, on the beeps tracks,…now these are getting close to what I want,…but we're going to use the Waveform Editor…to make them match even better.…So this is what they sound like.…It's actually the same clip happening…twice, one is when the upstroke text blinks,…and the second one happens when…the downstroke text blinks.…And it's the same sound effect I used initially…for both, and this is what they sound like.…
This course is based on a 30-second graphics project, which is used to demonstrate concepts ranging from sound selection and spotting to sound creation and manipulation. Along the way, author Scott Hirsch provides an in-depth look at Audition's Multitrack and Waveform Editors, as well as the process of round-tripping a project to Premiere Pro. Plus, he'll show how to create your own riveting sound effects from scratch and start building a library you can use for future projects.
- Evaluating and spotting to picture
- Finding and selecting sounds
- Adding sounds to the timeline
- Working in the Waveform Editor
- Using real-time clip and track effects
- Layering sound
- Sculpting sound
- Building a library of custom effects
- Mixing and exporting the mix