From the course: Audio Recording Techniques
Unlock the full course today
Join today to access over 22,400 courses taught by industry experts or purchase this course individually.
Using the Marshall cabinet miking trick
From the course: Audio Recording Techniques
Using the Marshall cabinet miking trick
You may not get the same effect if you try this on your own amp, as with all miking techniques, experimentation rules the day. If it sounds good, use it. It's not uncommon for engineers to complain that they can't seem to capture the low end of a Marshall cabinet. It might sound great in the room, but it just never comes across the same when recorded. Fortunately, there's a trick to help capture the big Marshall sound, although it may seem a bit unorthodox. Along with any of the previously mentioned miking methods place a Ribbon mic a couple of inches off one of the rear corners of the cabinet in order to capture the vibrations of the cabinet itself. Let's hear the cabinet first with you arrest with the SM57. (music playing) Now with the Royer R-121. (music playing) Now we'll switch back to the 57 and slowly add the sound of the Royer to find a good blend between the two. (music playing) Keep in mind that this only works with the original model 1960 Marshall Cabinets because of the…
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
- Ch_02_Microphones_PT_Sessions.zip
- Ch_02_Microphones_Raw_WAVs.zip
- Ch_03_Preamps_PT_Sessions.zip
- Ch_03_Preamps_Raw_WAVs.zip
- Ch_04_Microphone_Placement_PT_Sessions.zip
- Ch_04_Microphone_Placement_Raw_WAVs.zip
- Ch_05_Drums_PT_Sessions.zip
- Ch_05_Drums_Raw_WAVs.zip
- Ch_06_Guitar_PT_Sessions.zip
- Ch_06_Guitar_Raw_WAVs.zip
- Ch_07_Bass_PT_Sessions.zip
- Ch_07_Bass_Raw_WAVs.zip
- Ch_08_Vocals_PT_Sessions.zip
- Ch_08_Vocals_Raw_WAVs.zip
- Ch_09_Piano_PT_Sessions.zip
- Ch_09_Piano_Raw_WAVs.zip
- Ch_10_Horns_PT_Sessions.zip
- Ch_10_Horns_Raw_WAVs.zip
- Ch_11_Strings_PT_Sessions.zip
- Ch_11_Strings_Raw_WAVs.zip
- Ch_12_Percussion_PT_Sessions.zip
- Ch_12_Percussion_Raw_WAVs.zip
- Ch_14_Stereo_Techniques_PT_Sessions.zip
- Ch_14_Stereo_Techniques_Raw_WAVs.zip
- Ch_15_Recording_The_Session_PT_Sessions.zip
- Ch_15_Recording_The_Session_Raw_WAVs.zip
- Ch_16_Simply_Falling_PT_Mix_Session.zip
- Ch_16_Simply_Falling_Raw_WAVs.zip
Contents
-
-
-
-
-
-
-
-
Finding the right placement in the room for the guitar1m 24s
-
Miking the amplifier: Technique one1m 58s
-
Miking the amplifier: Technique two1m 30s
-
Miking the amplifier: Technique three1m 54s
-
Using the Marshall cabinet miking trick1m 30s
-
Recording the electric guitar direct6m 51s
-
Prepping for recording acoustic guitar58s
-
Recording the acoustic guitar with one mic2m 46s
-
Recording the acoustic guitar with two mics1m 46s
-
Recording the acoustic guitar with three mics1m 19s
-
Exploring stereo acoustic guitar miking techniques1m 31s
-
Recording the acoustic guitar direct1m 14s
-
Using a limiter when recording acoustic guitar1m 39s
-
Tracking the guitar part1m 11s
-
-
-
-
-
-
-
-
-
-
-
-