From the course: Audio Recording Techniques
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Miking the bass drum with front head port
From the course: Audio Recording Techniques
Miking the bass drum with front head port
A bass drum that has a front head with a port can give the drummer and the engineer what they both are looking for. Some drummers like to feel the tension on the beater that the front head provides, while the engineer can get the mic inside the drum closer to the beater. Here I'll show you how to place the mic for just this situation. Just like with the bass drum with no head, there is a packing blanket or some heavy towels inside the drum so the sound will be tight and punchy. Place the mic just inside the hole, point it at where the beater strikes the head. (music playing) You might want to try aiming the mic away from the beater and more at the shell of the drum for a different sound, then place it where you have the best combination of low-end and definition. That's how to mic a kick drum with the front head port. Place the mic just inside the hole, point it at where the beater strikes the head and move it to where you have the best combination of low-end and definition. (music…
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
- Ch_02_Microphones_PT_Sessions.zip
- Ch_02_Microphones_Raw_WAVs.zip
- Ch_03_Preamps_PT_Sessions.zip
- Ch_03_Preamps_Raw_WAVs.zip
- Ch_04_Microphone_Placement_PT_Sessions.zip
- Ch_04_Microphone_Placement_Raw_WAVs.zip
- Ch_05_Drums_PT_Sessions.zip
- Ch_05_Drums_Raw_WAVs.zip
- Ch_06_Guitar_PT_Sessions.zip
- Ch_06_Guitar_Raw_WAVs.zip
- Ch_07_Bass_PT_Sessions.zip
- Ch_07_Bass_Raw_WAVs.zip
- Ch_08_Vocals_PT_Sessions.zip
- Ch_08_Vocals_Raw_WAVs.zip
- Ch_09_Piano_PT_Sessions.zip
- Ch_09_Piano_Raw_WAVs.zip
- Ch_10_Horns_PT_Sessions.zip
- Ch_10_Horns_Raw_WAVs.zip
- Ch_11_Strings_PT_Sessions.zip
- Ch_11_Strings_Raw_WAVs.zip
- Ch_12_Percussion_PT_Sessions.zip
- Ch_12_Percussion_Raw_WAVs.zip
- Ch_14_Stereo_Techniques_PT_Sessions.zip
- Ch_14_Stereo_Techniques_Raw_WAVs.zip
- Ch_15_Recording_The_Session_PT_Sessions.zip
- Ch_15_Recording_The_Session_Raw_WAVs.zip
- Ch_16_Simply_Falling_PT_Mix_Session.zip
- Ch_16_Simply_Falling_Raw_WAVs.zip
Contents
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(Locked)
Finding the right placement in the room for the drums1m 48s
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The keys to a great drum sound2m 2s
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Tuning the drums2m 19s
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Tuning tips and tricks2m 26s
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Miking the bass drum without a front head2m 15s
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Miking the bass drum with front head port1m 5s
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Miking the bass drum with a front head1m 12s
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Using a subkick microphone1m 31s
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Miking the snare drum: Technique one3m 2s
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Miking the snare drum: Technique two57s
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Adding a bottom snare mic1m 45s
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Miking the hi-hat2m 14s
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Miking the toms2m 24s
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Miking the cymbals3m 14s
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Miking the overall kit1m 25s
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Using room mics2m 2s
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Getting the drum sound2m 47s
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Getting the correct drum mix balance2m 50s
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Checking the drum phase2m 18s
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Panning the drums2m 25s
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Tweaking the drum sound with EQ3m 10s
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Using the one-mic drum recording technique2m 37s
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Using the two-mic drum recording technique1m 5s
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Using the three-mic drum recording technique1m 45s
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Using the four-mic drum recording technique1m 26s
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Tips for drummers to use before recording1m 15s
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Tracking a solo drum part1m 10s
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