Join Brent Carpenter for an in-depth discussion in this video Conclusion, part of Live Sound Engineering Techniques: On Tour with Rush.
…So there you have it, the end of a hard…long work day: 16 hours, 12,000 happy fans, three happy musicians.…The processes involved in doing a show are…obviously more then just the audio engineering part.…It's also about unloading trucks, loading trucks, dealing…with stage hands, making sure you have the proper…equipment when you're supposed to have it, making…sure that everything works every day, all the time.…Being part of a team that can do all of…those things together from nothing in the building, to the…big rock show to nothing in the building again is…part of the satisfaction I receive from doing this job.…
Thanks for joining me today for Live Sound Engineering Techniques: On Tour with Rush.…
- Choosing the PA for the venue
- Setting up points, motors and cables, and trusses
- Getting the best use of both analog and digital signal paths
- How Rush gets that Geddy, Alex, and Neil live sound
- Setting up the digital monitor mix console
- Doing the line check and sound check
- Using audience microphones to connect the band to their fans
- Getting even coverage in a large arena
- Working the monitor console and the power of snapshots
- Loading out of the venue
Skill Level Intermediate
Music Studio Setup and Acousticswith Bobby Owsinski1h 20m Appropriate for all
Music Production Secrets: Larry Crane on Mixingwith Larry Crane1h 51m Intermediate
The Creative Spark: Iyeoka, Recording Artist and Poetwith Iyeoka Ivie Okoawo9m 16s Appropriate for all
1. Setting Up the Sound System
2. The Onstage Monitor Mix
3. The Clockwork Angels Stage Tour
4. Front-of-House Sound
5. When the Band Hits the Stage
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