Join Bobby Owsinski for an in-depth discussion in this video Recording in the control room, part of Audio Recording Techniques.
While it seems like recording blasphemy, many vocalists hate headphones, and would much…rather sing in the control room with a handheld stage mic like the Shure SM58.…This might not win you any high fidelity awards for vocal sound, but a great performance will…trump audio quality any day. Let's look at how it's done.…Most stage mics, while certainly not as hi-fi is a multi-thousand dollar vintage Neumann,…sound better than you think when routed through a high-quality microphone preamp and certainly…good enough for just about any recording purpose.…And advantage of recording with the stage mic in the control room or in front of your…speakers is that it has a much higher immunity to feedback than a high-quality condenser mic.…
So you can have the control room under level of a little higher.…Make sure that the vocalist is facing the monitors for the best rejection.…(music playing) Most studio mics don't work well for handheld use.…That's because of their handing noise and the fact that singing in to one with their…
Author
Released
10/24/2012- Optimizing your listening environment
- Listening to how different microphone types affect recording
- Choosing the right microphone for the right recording application
- Positioning microphones for a wide variety of recording scenarios
- Utilizing proper gain staging, preamps, and direct boxes
- Avoiding phase cancellation
- Using a compressor, equalizer, and high-pass filter during recording
- Setting up a headphone mix
- Adding the right amount of compression or equalization
- Capturing great sounds from drums, guitars, basses, keyboards, pianos, strings, and vocals
- Creating a great drum set sound
- Getting the best out of any singer
- Dealing with microphone leakage
- Utilizing a variety of stereo miking techniques
- Setting up and producing a recording session
- Creating a rough mix in any digital audio workstation (DAW)
Skill Level Beginner
Duration
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Introduction
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Welcome2m 7s
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Using the exercise files1m 29s
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1. Monitoring
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Setting up your monitors4m 17s
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2. Microphone Basics
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Exploring direct boxes1m 9s
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3. Recording Basics
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Choosing a preamp1m 35s
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Setting up the mic preamp1m 39s
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Setting the record level2m 29s
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Using proper gain staging1m 46s
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Avoiding latency3m 51s
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4. Microphone Placement Basics
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Choosing the right mic2m 24s
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The secret to mic placement2m 12s
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Checking polarity3m 9s
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5. Recording the Drums
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Tuning the drums2m 19s
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Tuning tips and tricks2m 26s
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Using a subkick microphone1m 31s
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Adding a bottom snare mic1m 45s
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Miking the hi-hat2m 14s
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Miking the toms2m 24s
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Miking the cymbals3m 14s
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Miking the overall kit1m 25s
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Using room mics2m 2s
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Getting the drum sound2m 47s
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Checking the drum phase2m 18s
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Panning the drums2m 25s
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Tracking a solo drum part1m 10s
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6. Recording the Guitar
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Tracking the guitar part1m 11s
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7. Recording the Bass
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Miking the bass amplifier2m 13s
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Tracking the bass part1m 11s
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8. Recording Vocals
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Recording a scratch vocal1m 24s
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Doubling the vocal2m 52s
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9. Recording the Acoustic Piano
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Recording the piano part1m 13s
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10. Recording Horns
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11. Recording Acoustic String Instruments
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Recording a dobro1m 36s
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Recording the dobro part1m 13s
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Recording the string section1m 13s
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12. Recording Percussion
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Recording drum percussion1m 19s
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Recording hand percussion1m 17s
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13. Recording Electric Instruments
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Recording electric keyboards1m 58s
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Recording the synth part1m 14s
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14. Recording in Stereo
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Using the X/Y configuration3m 21s
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Using the ORTF configuration2m 27s
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Using a stereo mic1m 46s
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15. The Recording Session
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Setting up a talkback mic1m 27s
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Setting up the headphone mix2m 31s
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Setting up a click track2m 11s
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Setting up for overdubs2m 17s
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16. Setting Up a Rough Mix
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Setting up the effects3m 47s
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The rough mix of Simply Falling35m 35s
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Conclusion
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Goodbye1m 2s
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Video: Recording in the control room