Join Bobby Owsinski for an in-depth discussion in this video Miking the cymbals, part of Audio Recording Techniques.
There are a few ways to use overhead mics, and the method you choose depends on how live…your room is and the sound you're trying to capture.…Let's look at the way to use the overhead mics more to capture the sound of the cymbals,…rather than the overall kit.…Condenser or Ribbon mics are usually used for overheads.…The reason is that the cymbals have a lot of short burst of energy, which those types…of mics are good at picking up.…The overheads you use to pick up the ride and crash cymbals and give you an ambient…stereo sound of the drum kit.…If you're recording in a very live room, you may want your overheads closer to the kit…to reduce the amount of room ambience that's being picked up.…
That's also the case if you're recording in a room with a low ceiling, since the splash…off the ceiling can potentially room the sound.…Cymbals are loud, so make sure you switch on the -10 dB pad if you're using condenser…mics and select any high-pass filter, since it will help the sound of the cymbals to be…
Author
Released
10/24/2012- Optimizing your listening environment
- Listening to how different microphone types affect recording
- Choosing the right microphone for the right recording application
- Positioning microphones for a wide variety of recording scenarios
- Utilizing proper gain staging, preamps, and direct boxes
- Avoiding phase cancellation
- Using a compressor, equalizer, and high-pass filter during recording
- Setting up a headphone mix
- Adding the right amount of compression or equalization
- Capturing great sounds from drums, guitars, basses, keyboards, pianos, strings, and vocals
- Creating a great drum set sound
- Getting the best out of any singer
- Dealing with microphone leakage
- Utilizing a variety of stereo miking techniques
- Setting up and producing a recording session
- Creating a rough mix in any digital audio workstation (DAW)
Skill Level Beginner
Duration
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Introduction
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Welcome2m 7s
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Using the exercise files1m 29s
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1. Monitoring
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Setting up your monitors4m 17s
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2. Microphone Basics
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Exploring direct boxes1m 9s
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3. Recording Basics
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Choosing a preamp1m 35s
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Setting up the mic preamp1m 39s
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Setting the record level2m 29s
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Using proper gain staging1m 46s
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Avoiding latency3m 51s
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4. Microphone Placement Basics
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Choosing the right mic2m 24s
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The secret to mic placement2m 12s
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Checking polarity3m 9s
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5. Recording the Drums
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Tuning the drums2m 19s
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Tuning tips and tricks2m 26s
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Using a subkick microphone1m 31s
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Adding a bottom snare mic1m 45s
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Miking the hi-hat2m 14s
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Miking the toms2m 24s
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Miking the cymbals3m 14s
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Miking the overall kit1m 25s
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Using room mics2m 2s
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Getting the drum sound2m 47s
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Checking the drum phase2m 18s
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Panning the drums2m 25s
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Tracking a solo drum part1m 10s
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6. Recording the Guitar
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Tracking the guitar part1m 11s
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7. Recording the Bass
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Miking the bass amplifier2m 13s
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Tracking the bass part1m 11s
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8. Recording Vocals
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Recording a scratch vocal1m 24s
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Doubling the vocal2m 52s
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9. Recording the Acoustic Piano
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Recording the piano part1m 13s
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10. Recording Horns
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11. Recording Acoustic String Instruments
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Recording a dobro1m 36s
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Recording the dobro part1m 13s
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Recording the string section1m 13s
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12. Recording Percussion
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Recording drum percussion1m 19s
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Recording hand percussion1m 17s
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13. Recording Electric Instruments
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Recording electric keyboards1m 58s
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Recording the synth part1m 14s
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14. Recording in Stereo
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Using the X/Y configuration3m 21s
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Using the ORTF configuration2m 27s
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Using a stereo mic1m 46s
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15. The Recording Session
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Setting up a talkback mic1m 27s
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Setting up the headphone mix2m 31s
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Setting up a click track2m 11s
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Setting up for overdubs2m 17s
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16. Setting Up a Rough Mix
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Setting up the effects3m 47s
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The rough mix of Simply Falling35m 35s
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Conclusion
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Goodbye1m 2s
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Video: Miking the cymbals