From the course: Audio Recording Techniques
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Miking the amplifier: Technique three
From the course: Audio Recording Techniques
Miking the amplifier: Technique three
There are lots of different techniques to mike a guitar amp. In this technique we'll add a second mic to capture more of the room sound. Let me show you how it's done. Natural ambience usually sounds a lot better than an artificial reverb for layering a guitar part in the mix. The way we capture it is by adding a second mic back in the room in addition to the previous close miking techniques. The kind and type of mic you use actually doesn't matter much. Place the second like about 6 feet away from the amplifier. If there are multiple speakers, try to place it where the sound of all the speakers converge. If you want more room ambience, try moving the distant mic, so it's about 10 feet away, or like we've done here, put in another reverberant room or hallway close by. (music playing) Add the second mic to the sound of the first. The right amount is dictated by the song and how you hear it in the mix. Here is what it sounds like, we are just a little off the distant mike, and then with…
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- Ch_02_Microphones_PT_Sessions.zip
- Ch_02_Microphones_Raw_WAVs.zip
- Ch_03_Preamps_PT_Sessions.zip
- Ch_03_Preamps_Raw_WAVs.zip
- Ch_04_Microphone_Placement_PT_Sessions.zip
- Ch_04_Microphone_Placement_Raw_WAVs.zip
- Ch_05_Drums_PT_Sessions.zip
- Ch_05_Drums_Raw_WAVs.zip
- Ch_06_Guitar_PT_Sessions.zip
- Ch_06_Guitar_Raw_WAVs.zip
- Ch_07_Bass_PT_Sessions.zip
- Ch_07_Bass_Raw_WAVs.zip
- Ch_08_Vocals_PT_Sessions.zip
- Ch_08_Vocals_Raw_WAVs.zip
- Ch_09_Piano_PT_Sessions.zip
- Ch_09_Piano_Raw_WAVs.zip
- Ch_10_Horns_PT_Sessions.zip
- Ch_10_Horns_Raw_WAVs.zip
- Ch_11_Strings_PT_Sessions.zip
- Ch_11_Strings_Raw_WAVs.zip
- Ch_12_Percussion_PT_Sessions.zip
- Ch_12_Percussion_Raw_WAVs.zip
- Ch_14_Stereo_Techniques_PT_Sessions.zip
- Ch_14_Stereo_Techniques_Raw_WAVs.zip
- Ch_15_Recording_The_Session_PT_Sessions.zip
- Ch_15_Recording_The_Session_Raw_WAVs.zip
- Ch_16_Simply_Falling_PT_Mix_Session.zip
- Ch_16_Simply_Falling_Raw_WAVs.zip
Contents
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(Locked)
Finding the right placement in the room for the guitar1m 24s
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Miking the amplifier: Technique one1m 58s
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(Locked)
Miking the amplifier: Technique two1m 30s
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Miking the amplifier: Technique three1m 54s
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Using the Marshall cabinet miking trick1m 30s
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Recording the electric guitar direct6m 51s
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(Locked)
Prepping for recording acoustic guitar58s
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Recording the acoustic guitar with one mic2m 46s
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(Locked)
Recording the acoustic guitar with two mics1m 46s
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(Locked)
Recording the acoustic guitar with three mics1m 19s
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Exploring stereo acoustic guitar miking techniques1m 31s
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(Locked)
Recording the acoustic guitar direct1m 14s
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(Locked)
Using a limiter when recording acoustic guitar1m 39s
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(Locked)
Tracking the guitar part1m 11s
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