Join Ben Long for an in-depth discussion in this video Storing it: media cards, part of Travel Photography: Gear & Workflow.
I like to say a few words about choosing media cards. …When you go media card shopping, you're probably going to find a number of options. …First of course, there's capacity, and you can choose to have a few really large cards …or a bunch of smaller cards. …The idea with a bunch of smaller cards is that if a card fails, you don't lose as many images. …The problem with smaller cards is you've got to swap more and you've got to carry more. …If you are going to be event shooting and things like that, smaller cards don't make so much sense. …Also along with capacity, you're going to be seeing speed ratings, and there are a number …of different speed ratings. Older cards will simply have a multiplication factor. Newer …cards will probably have a bit rate.…
If you're looking at SD cards, there will be a class number, which is a single-digit number. …In all these cases higher is faster and that means that images will transfer more quickly. …How fast you actually need? When you're looking you'll see that well, here is a really fast …
The course takes a look at the hardware and software issues behind field shooting: assessing storage and backup needs, evaluating GPS geotagging options, surveying power and charging issues, and more. After discussing each of the components, Ben shows how they fit together in different field setups, ranging from an extravagant laptop-based system to a no-computer setup that backs up photos to a compact digital wallet device. The course also spotlights some workflow strategies to consider when you get home, from transferring photos to merging them with a larger photo library.
- Selecting the right gear, from cameras to bags
- Bringing the right battery and storage equipment
- Packing your camera bag
- Getting to the destination with heavy equipment
- Unpacking and setting up the gear
- Geotagging photos on location
- Downloading manuals for convenient access in the field
- Wrapping up a shoot
- Unpacking and transferring images to an editing workstation
Skill Level Intermediate
Photography Foundations: Exposure (2010)with Ben Long3h 24m Appropriate for all
Photography Foundations: Compositionwith Ben Long5h 29m Intermediate
Narrative Portraiture: On Location in New York Citywith Chris Orwig1h 30m Appropriate for all
1. Cameras and Other Essentials
2. Hardware and Software Considerations
3. Camera and Computer Bags
4. In the Field: Heavyweight Rig
5. In the Field: Mid-Weight Rig
6. In the Field: Ultra-Light Rig
7. After the Shoot
- Mark as unwatched
- Mark all as unwatched
Are you sure you want to mark all the videos in this course as unwatched?
This will not affect your course history, your reports, or your certificates of completion for this course.Cancel
Take notes with your new membership!
Type in the entry box, then click Enter to save your note.
1:30Press on any video thumbnail to jump immediately to the timecode shown.
Notes are saved with you account but can also be exported as plain text, MS Word, PDF, Google Doc, or Evernote.