Join Richard Harrington for an in-depth discussion in this video The sync sound workflow, part of Green Screen Techniques for Video and Photography.
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Rich Harrington: So, let's just talk about the basics here before we roll some audio.…We're not going to go too deep but a couple of key things to realize.…First off, I've attached a reference mic here. This is going to be great.…You see that we've got a little road mic here on the top of the camera.…It's running into the base of the camera. That's going to give me better audio.…Now, I'm going to go ahead and switch over to my menus here and just check the sensitivity.…I want to make sure that the microphone is actually on and could you just tell me about…your drive over today? Just tell me what the traffic looks like?…female speaker: It wasn't that I drive off after rush hour or so.…
Rich: And did you see you anything interesting today on the train or on the traffic?…female speaker: A lot of down trees from the last night's storm.…Rich: So you notice there, I had the punch up the sensitivity of the mic.…My voice is a lot louder because this mic is close to me, but I needed a good reference…source to get her audio.…
This course was created and produced by Rich Harrington. lynda.com is honored to host this content in our library.
- Why use green screen?
- Using a fabric, Flexfill, or Reflecmedia backdrop
- Lighting the green screen
- Establishing a relationship with the subject
- Shooting handheld
- Shooting with a DSLR
- Using a sync sound workflow
- Processing raw footage
- Creating transparency in Photoshop
- Removing the background
- Adjusting background focus
- Keying in Premiere Pro or After Effects
- Animating the camera
Skill Level Appropriate for all
After Effects CS6 Essential Trainingwith Ian Robinson8h 41m Beginner
Foundations of Video: Cameras and Shootingwith Anthony Q. Artis2h 58m Appropriate for all
1. An Introduction to Green Screen
2. Prepping the Green Screen
3. Lighting the Subject
4. Working with the Subject
5. Best Shooting Practices for DSLR Video
6. Background Selection
7. Creating Backgrounds in a Nonlinear Editing Tool
8. Creating the Composite for Motion
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