Join Richard Harrington for an in-depth discussion in this video On-set monitoring, part of Practical Motion Background Workshop.
When you are monitoring on set, you want to be able to get your body away from…the camera and properly see what you're shooting.…Now, you probably don't need a monitor quite that big, but we have that…there available in our studio, and I put it up so you can easily see what we…shoot throughout today.…Any monitor will do. The big thing is you want to get away from the camera body.…So this small, little monitor is going to keep drawing in.…You might bump the camera and get unwanted movement.…There are lots of ways of approaching this.…You can go ahead and run out the HDMI port of your camera and into an adapter.…
In this case, I'm using an HDMI to HD SDI adapter, allowing me to plug into my…professional video monitor.…For that matter, you can just go out the HDMI port and run into a normal…consumer television.…Chances are you have an HDTV set lying around; just run the cable to it.…Pull it closer to where you're shooting.…If you're looking for something sort of in between, that's easy too.…There is a whole wealth of manufacturers that make monitors like this one,…
This course was created and produced by Rich Harrington. lynda.com is proud to host this content in our library.
- Selecting a camera
- Using a turntable to rotate your subject while you film
- Lighting the scene
- Choosing a frame rate
- Creating dancing shadows
- Shooting "through" objects
- Making a loop
- Building the composition
- Retiming clips
- Rendering the background
Skill Level Intermediate
Video Foundations: Cameras and Shootingwith Anthony Q. Artis2h 58m Intermediate
1. The Technique in Brief
2. Gathering Source Materials
3. Set the Stage
4. Shooting Techniques
5. Get Organized for Post
6. Creating Backgrounds with Adobe After Effects
7. Creating Backgrounds in a Nonlinear Editing Tool
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