From the course: After Effects Guru: Mastering Cameras and Lights
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A quick camera primer - After Effects Tutorial
From the course: After Effects Guru: Mastering Cameras and Lights
A quick camera primer
- In the next movie, we're going to add a virtual camera to an After Effects composition. But before we do, we're going to explore some basic real-world camera terminology, the extreme importance our lens settings have on our scene, and how it translates to the After Effects cameras available to us. So, when we start talking about cameras in the real world, the first thing that you're usually introduced to is what's known as the exposure triangle, where your aperture, shutter, and ISO are set to get an exposed image. One of those measurements is specifically aperture, which has to deal with the lens opening. And a smaller or lower f-stop refers to a larger opening, letting more light into your camera. And at the same time, what that does is also creates a shallower depth of field, a lower f-stop. A higher f-stop, on the other hand, lets less light in and gives you a deeper depth of field. Basically, at an f/22, you're entire image is in focus. Now, you balance this aperture or the…
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Contents
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Making layers 3D5m 28s
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Depth without cameras (multi-planing)6m 8s
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A quick camera primer5m 14s
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One node vs two node cameras7m 1s
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Choosing different lenses6m 43s
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Working with orthographic views4m 46s
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Adjusting custom views and framing layers3m 35s
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Tips for moving cameras6m 15s
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Creating an orbit null with scripts4m 32s
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Basic tips for camera animation9m 13s
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Adjusting camera motion paths6m 11s
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Working with depth of field4m 55s
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Using depth of field commands5m 8s
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