From the course: After Effects Guru: Mastering Cameras and Lights
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Working with orthographic views - After Effects Tutorial
From the course: After Effects Guru: Mastering Cameras and Lights
Working with orthographic views
- So it's very easy to get lost in 3D space, and that's because it's infinite. In this movie, we'll look at viewing a composition from different perspectives by staring down different accesses with the help of our built-in camera tools. So I'm here in my Chapter 1_6 Composition and we already have a camera here on the scene. So if I double click this camera, just know that it's a 50 millimeter camera. Press OK to close that. You can see that the majority of our layers minus the background right now is 3D. And if we take a closer look, if you select any of these layers, you press P for position, you'll see that they have various Z positions, so they're all spread out in Z space. This is one way that we can see our scene, but in order to see the depth between these layers, it's going to be really handy for us to look at various orthographic views and how our scene looks in those views. To access these multiple views, what we want to do is underneath the after effects composition where…
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Contents
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Making layers 3D5m 28s
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Depth without cameras (multi-planing)6m 8s
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A quick camera primer5m 14s
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One node vs two node cameras7m 1s
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Choosing different lenses6m 43s
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Working with orthographic views4m 46s
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Adjusting custom views and framing layers3m 35s
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Tips for moving cameras6m 15s
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Creating an orbit null with scripts4m 32s
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Basic tips for camera animation9m 13s
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Adjusting camera motion paths6m 11s
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Working with depth of field4m 55s
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Using depth of field commands5m 8s
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