Join Ian Robinson for an in-depth discussion in this video Pushing the graphics over the top, part of Mograph Techniques: Retiming and Tracking Footage.
There comes a time in every project where you look at your finished graphics and you…realize they're not quite finished. You need to push them over the top so…that's what we're going to look at in this video.…We'll look at the different things that we could do just to push our graphics a…little bit further. So let's start by scrubbing through the…zero three pass composition. And if you notice our lights are actually…lit at the beginning of the comp. And I don't want these lights to start to…appear until our passers arm starts moving forwards.…
So, let's position our current time indicator on frame seven and make sure…that we select our lux layer, layer eight. Go ahead and press Opt + T or Alt + t on…Windows to add a key frame for the opacity.…Let's change that setting to zero and move forward a couple frames so the ball comes…out of his hand. Let's do frame ten.…That way we can increase the capacity to one hundred percent.…Just to keep a tidy house, let's move back and keep the starting point that way with…
- Analyzing a rough cut
- Tracking with mocha
- Adding and animating spheres
- Creating an animated logo with particles
- Adding dynamic motion
- Color correcting the back plate
- Blending particles emitters
- Retiming layers with prerenders
- Adjusting speed with Timewarp
Skill Level Intermediate
1. Isolating the Base Layer Video
Analyzing the rough cut2m 7s
2. Tracking Footage
3. Adding Graphics
4. Adding Color Correction and Finishing Touches
Next steps1m 21s
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