Join Richard Harrington for an in-depth discussion in this video Goodbye, part of Motion Graphics for Video Editors: Working with Storyboards.
- Well, I hope you enjoyed this look…at storyboards and animatics.…Whether you're a director of photography, a producer,…a director, an editor, or even a motion graphic artist,…taking the time to capture your thoughts…and make them easily sharable…is an essential part of the collaboration process.…Remember, great ideas in your head may not be so great.…After all, it doesn't matter how awesome you think it is,…it's important that the client buys in.…And, if you're going to be collaborating with a crew,…it's essential that they understand your vision.…
A beautiful shot that has…the wrong timing, isn't that useful.…Or going through a lot of effort and expense to…capture 45 different angles, when only 15 of them…will fit into the 30 second commercial…is a waste of money and effort.…Taking time to storyboard and create a useful animatic…is essential to professional video.…I hope you found today, that these skills…were ones that you could use.…I try to keep it pretty approachable, and make sure…no matter what your matter skill level, you could walk away.…
Released
4/7/2015- Creating storyboards
- Scanning sketches
- Drawing with tablets
- Coloring and cleaning up storyboards
- Creating animatic shots in After Effects
- Using 3D cameras with storyboards
- Editing an animatic assembly
- Exporting an animatic for client review
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Video: Goodbye