Join Richard Harrington for an in-depth discussion in this video Enhancing the image with digital lighting, part of Green Screen Techniques for Video and Photography.
Rich Harrington: All right, what I want to do here is relight the scene and to give you a sense…of perspective of what we're going for. I've already done an example of this, and I'm going…to open it up, and it's kind of dramatically different, right?…Abba Shapiro: Yeah, I mean, I see actual angle perspective.…I'm already starting to feel some depth.…Rich: Yeah, we've done that a couple of ways here, and we're going to walk through all of that.…We've actually added a Camera, and we've added two lights, and we've cast shadows and all…sorts of things, plus just to give you a little sneak peak, you can actually put a little…bit of motion on that camera.…
While this is flat objects because we've got some separation between the two, what you…have got there is an effect called Parallax, which is because the objects are further away…from each other, as the camera moves, it feels a little bit more realistic like we're moving…around her here on location.…Abba: Yeah, I like the fact that literally, the background is changing perspective than…
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- Why use green screen?
- Using a fabric, Flexfill, or Reflecmedia backdrop
- Lighting the green screen
- Establishing a relationship with the subject
- Shooting handheld
- Shooting with a DSLR
- Using a sync sound workflow
- Processing raw footage
- Creating transparency in Photoshop
- Removing the background
- Adjusting background focus
- Keying in Premiere Pro or After Effects
- Animating the camera
Skill Level Appropriate for all
After Effects CS6 Essential Trainingwith Ian Robinson8h 41m Beginner
Foundations of Video: Cameras and Shootingwith Anthony Q. Artis2h 58m Appropriate for all
1. An Introduction to Green Screen
2. Prepping the Green Screen
3. Lighting the Subject
4. Working with the Subject
5. Best Shooting Practices for DSLR Video
6. Background Selection
7. Creating Backgrounds in a Nonlinear Editing Tool
8. Creating the Composite for Motion
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