Join Mark Christiansen for an in-depth discussion in this video Desaturate with Tint, part of After Effects Compositing: 2 Matching Foreground to Background.
…In this scene, you may have noticed me using…the tint effect to lower the saturation of the cube.…Now, you may be wondering, why did I do it that way when…there's a perfectly useful hue saturation effect…in which I can lower the saturation.…So, now I'm going to get into a bit of extreme…nerdy detail about the difference between hue and saturation and tint.…But this is very important.…Particularly if you're ever trying to create a black and white image.…To show you this, I'm going to use this custom created graphic.…
[BLANK_AUDIO].…So here we have a number of characters that are pure digital colors.…Red, green, blue, cyan, magenta, yellow.…I'll apply hue and saturation, and lower saturation.…And something very strange happens.…The characters disappear because as I desaturated them, they became pure gray.…Now technically, that seems like the right thing, but…in fact, your eye perceives them differently, which is…why a black and white image isn't just pure…gray, if the luminance levels are all the same.…
So I'll turn that off, and instead apply the tint effect.…
This course was created by Mark Christiansen. We're honored to host this training in our library.
- Matching color in black and white
- Matching levels with proportions
- Desaturating with tint
- Creating depth of field
- Reducing or removing grain
Skill Level Intermediate
VFX Techniques: Tracking Objects onto a Facewith Lee Lanier2h 42m Intermediate
1. Compositing Is Matching
2. More Complex Compositing
3. Introducing Depth
4. Organize Projects for VFX
5. Befriend Noise and Grain
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