Join Chris Meyer for an in-depth discussion in this video Defining the ground plane, part of After Effects CC 2013 New Features.
The 3D Camera Tracker has received many of the upgrades that Warp Stabilizer…VFX did, but it also received one small but really important little new feature…I want to show you.…In this particular composition I have a forest walk that has already been tracked…with a 3D Camera Tracker.…I'll press F3 to open up the Effects Control panel and here you can see all of…my various track points.…Again, just as with Warp Stabilizer VFX, if something has points for causing my…track to go bad and I can tell that if I see them wandering when they should be…stationary, I could select them, delete them and the 3D Camera Tracker will…allow me to automatically delete those points across time.…
In other words if the 3D camera tracker detects that it is used that same track…point for multiple frames or disappeared maybe because it was obscured by…another object then reappeared later, it would know to delete that as well.…And just like with Warp Stabilizer don't rely on this auto-delete happening.…Scan through your project and make sure you got rid of the offending object…
The September 2013 update brought the new Rigid Mask Tracker, as well as additional ways to scale up footage cleanly, while the highlight of the December 2013 update was the ability to convert parametric shape layers to Bézier paths, and Bézier paths into shape layers. The NAB 2014 update shows off important new integration with Adobe Premiere Pro and Typekit, as well major updates to effects. Smaller yet still important new and enhanced features in each release are also touched on throughout. As always, Chris doesn't just show you where these new features are, but how to apply them to your own projects, along with preferred working practices and potential gotchas.
Note: This course was created and produced by Chris and Trish Meyer. We are honored to host this content in our library.
- Integrating with CINEMA 4D
- Using the Refine Edge tool to fine-tune mattes
- Applying Reverse Stabilization
- Preserving scale while stabilizing
- Working with layer snapping
- Finding missing footage, fonts, and effects
Skill Level Appropriate for all
Q: This course was updated on 01/14/2014. What changed?
A: Chris added two new chapters covering updates to After Effects CC. Chapter 5 covers the new Rigid Mask Tracker and footage scaling capabilities and Chapter 6 covers the ability to convert parametric shape layers to Bezier paths and Bezier paths into shape layers.
Q: This course was updated on 5/8/2014. What changed?
A: We twelve new movies, covering what's changed in After Effects CC since the May 2013 initial release, the changes released in October 2013, and the changes announced at the 2014 NAB Show, such as Premiere Pro and Typekit integration, and effects masks.
Q: This course was updated on 11/20/14. What changed?
A: Four movies were updated to reflect changes in After Effects CC 2014.1. Additionally, seven new movies were added, covering changes to the interface, the release of CINEWARE v2 and CINEMA 4D Lite R16, updates to mocha, Dynamic Link color management with Premiere Pro and Media Encoder, and more.
VFX Techniques: Crowd Replication with After Effectswith Lee Lanier2h 54m Intermediate
VFX Techniques: Tracking Objects onto a Facewith Lee Lanier2h 42m Intermediate
After Effects CC 2013 Essential Trainingwith Ian Robinson14h 51m Appropriate for all
Mograph Techniques: Animating to Musicwith Ian Robinson1h 5m Intermediate
November 2014 Update
NAB 2014 Update
December 2013 Update
October 2013 Update
May 2013 Initial Release
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