Join Ian Robinson for an in-depth discussion in this video Continuing with fine-tuning, part of Mograph Techniques: Retiming and Tracking Footage.
Now comes the fun part, we actually get to polish our product and create a finished…element that we can then go ahead and re-time for the edit in our spot.…So let's scrub through our kick composition and see where we're at.…We have particles appearing, getting kicked and flying off the scene.…Now the first thing I want to address is just the brightness of our soccer player.…So let's open up the soccer percomp. I'll double click layer 5, and in the…precomp let's select layers 2 and 3 and just press Cmd+D to duplicate those…layers. This will make our soccer player just a…little bit brighter. Now I want to blend this into the…background a little bit more, so let's select layer 6 and just decrease the…opacity down to a setting of around 71%. Now even though this has created a kind of…a halo look. If we go back to our kick composition, I…sort of like the style that that's created around our soccer player.…
So I'm going to go ahead and leave this theme the way it's set up currently.…Now if we scrub through, you can see we have our base form particles but we don't…
- Analyzing a rough cut
- Tracking with mocha
- Adding and animating spheres
- Creating an animated logo with particles
- Adding dynamic motion
- Color correcting the back plate
- Blending particles emitters
- Retiming layers with prerenders
- Adjusting speed with Timewarp
Skill Level Intermediate
1. Isolating the Base Layer Video
Analyzing the rough cut2m 7s
2. Tracking Footage
3. Adding Graphics
4. Adding Color Correction and Finishing Touches
Next steps1m 21s
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