Join Richard Harrington for an in-depth discussion in this video Configuring a Photoshop workspace for video projects, part of Motion Graphics for Video Editors: Terms and Technology (2014).
- One of the things that I like to do…is make sure Photoshop is set up in a logical way…for working with video graphics.…Often times, I also bring in video files into Photoshop,…so I like to have the timeline visible as well.…By taking time to adjust the windows,…their layout and position, you can create a more effective…work environment, or a workspace.…First off, let's talk about the work spaces.…Under the windows menu, you'll find…different work spaces available.…While there is one called motion, you might not care…for all the thing they have visible.…
For example, I don't really need…the libraries panel very often, so I'll close that.…I do find it more useful, though, to have an expanded view…of the histogram so I could really see details.…Once you get things laid out how you want,…you might want to adjust the height of individual panels.…You could do that by dragging.…For example, if I'm working with video files…in Photoshop or motion, I can see the Photoshop timeline.…When you get things laid out the way that you like,…
- When to use vector vs. raster graphics
- Working with high-dynamic-range images
- Choosing the right color space
- Understanding file extensions and file formats
- Maintaining broadcast-safe color and luminance levels
- Configuring Photoshop and Illustrator workspaces and preferences
- Using templates
- Building titles
- Sizing photos or logos
- Saving Photoshop and Illustrator files for video graphics
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1. Core Technology for Video Graphics
2. Broadcast-Safe Issues
3. Setting Up Photoshop for a Video Workflow
4. Setting Up Illustrator for a Video Workflow
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