Join Richard Harrington for an in-depth discussion in this video Changing the 3D method used, part of Motion Control 3D: Bringing Photos to Life in Three Dimensions with After Effects and Photoshop CC.
- If you have a pair of 3D glasses lying around…you could actually set it so you can view it.…Now, you can use a variety.…Maybe you have active glasses that work…with your 3D television or you have the prismatic type…or the color shifting type.…It doesn't matter, After Effects supports all of them.…There are two controls we need to worry about.…The first set is under Stereo 3D Controls.…This is where you have some control…over the camera separation.…Normally, you're gonna go off of the center.…Hero Left and Hero Right is specifically…for using this with the GoPro 3D Hero system.…
So, if you are using those cameras…to create 3D content you can use that.…But normally, we'd use center.…The scene depth percentage will increase…the set of depth within it.…Three percent is the normal amount.…If you start to push this even further…you'll notice additional cropping at the edges.…Zero doesn't give you much depth at all…so try something between three and ten…until it starts to look realistic to you.…
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Author
Richard Harrington
Released
1/29/2015- Understanding parallax
- Choosing the best photos
- Identifying planes
- Timing the move
- Using Quick Selection, Quick Mask, and Refine Edge to create layers
- Cleaning up the composite with the healing tools
- Adding a 3D camera to your scene
- Setting the depth and size of your composition
- Animating the camera
- Adding depth of field and bokeh blur
- Setting ambient and directional light
- Adding depth with particles
- Mixing in video footage
- Creating perspective with Vanishing Point
Skill Level Intermediate
Duration
Views
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Introduction
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Welcome1m 24s
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Using the exercise files1m 11s
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1. Introducing Motion Control 3D
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The technique explained2m 32s
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2. Choosing Photos for Motion Control 3D
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Image-selection guidelines4m 10s
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Resolution guidelines4m 1s
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Advice for scanning1m 29s
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3. Planning the Move
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Identifying planes1m 30s
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Understanding parallax5m 50s
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Choosing a focal length3m 39s
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Timing the move1m 39s
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4. Layering the Image
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The Quick Selection tool1m 42s
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Using Quick Mask mode3m 33s
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The Refine Edge command3m 8s
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Using layer masks4m 22s
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5. Cleaning Up the Composite
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Using Perspective Warp4m 15s
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Removing camera shake3m 11s
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Using a floor image4m 1s
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6. Organizing the Comp
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7. Build the Composition
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Adding a 3D camera3m 29s
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Setting the initial depth5m 32s
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Using Motion Blur1m 5s
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8. Animating the Camera
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Using multiple views2m 2s
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Understanding keyframes5m 28s
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Modifying camera paths5m 37s
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Adding camera shake3m 1s
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9. Adjusting the Camera
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Setting the depth of field5m 35s
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Adding bokeh blur5m 52s
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Creating a rack focus5m 43s
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10. Relighting the Scene
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Setting the ambient light2m 35s
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Adding a parallel light3m 38s
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Adding spot lights5m 2s
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Adding point lights2m 30s
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Lighting effects5m 22s
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11. Adding Depth with Particles
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Using Trapcode Particular6m 22s
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12. Mixing in Footage
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Refining the time remapping4m 34s
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13. Creating 3D Perspective with Vanishing Point
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Why use Vanishing Point?2m 16s
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Preparing files in Photoshop4m 32s
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14. Viewing in 3D
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Adding a 3D rig1m 59s
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Changing the 3D method used4m 23s
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Choosing a render method5m 44s
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Conclusion
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Wrapping up43s
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Video: Changing the 3D method used