Join Richard Harrington for an in-depth discussion in this video Adding a 3D rig, part of Motion Control 3D: Bringing Photos to Life in Three Dimensions with After Effects and Photoshop CC.
- If you've done all of this work with After Effects,…you might be wondering, well why can't it stay 3D?…Fortunately, After Effects does have the ability…to take its 3D camera and create 3D material…that'll work on 3D television…or on places like YouTube that support 3D layers.…Before you start, just duplicate your composition.…Highlight it in the Project panel,…and choose Edit, Duplicate.…I recommend you rename this Original.…
This is useful if you have to go back and revisit your copy.…Once that's done, just open up your file…and preview the animation.…Let's take a look at what I've got here so far.…Well, we've got a floating 3D camera…that drifts through space.…This is a further enhanced version…of the file we worked with earlier.…The trees have been cut up into two layers…for a sense of perspective,…and there's a cloud photo further in the background…to create a little bit of depth.…I wanted to have some separation…between the trees and the clouds, albeit subtle separation.…
Now I've got a sense of floating here,…
Author
Richard Harrington
Released
1/29/2015- Understanding parallax
- Choosing the best photos
- Identifying planes
- Timing the move
- Using Quick Selection, Quick Mask, and Refine Edge to create layers
- Cleaning up the composite with the healing tools
- Adding a 3D camera to your scene
- Setting the depth and size of your composition
- Animating the camera
- Adding depth of field and bokeh blur
- Setting ambient and directional light
- Adding depth with particles
- Mixing in video footage
- Creating perspective with Vanishing Point
Skill Level Intermediate
Duration
Views
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Introduction
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Welcome1m 20s
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Using the exercise files1m 11s
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1. Introducing Motion Control 3D
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The technique explained2m 32s
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2. Choosing Photos for Motion Control 3D
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Image-selection guidelines4m 10s
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Resolution guidelines4m 1s
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Advice for scanning1m 29s
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3. Planning the Move
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Identifying planes1m 30s
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Understanding parallax5m 50s
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Choosing a focal length3m 39s
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Timing the move1m 39s
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4. Layering the Image
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The Quick Selection tool1m 42s
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Using Quick Mask mode3m 33s
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The Refine Edge command3m 8s
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Using layer masks4m 22s
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5. Cleaning Up the Composite
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Using Perspective Warp4m 15s
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Removing camera shake3m 11s
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Using a floor image4m 1s
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6. Organizing the Comp
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7. Build the Composition
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Adding a 3D camera3m 29s
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Setting the initial depth5m 32s
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Using Motion Blur1m 5s
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8. Animating the Camera
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Using multiple views2m 2s
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Understanding keyframes5m 28s
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Modifying camera paths5m 37s
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Adding camera shake3m 1s
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9. Adjusting the Camera
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Setting the depth of field5m 35s
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Adding bokeh blur5m 52s
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Creating a rack focus5m 43s
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10. Relighting the Scene
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Setting the ambient light2m 35s
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Adding a parallel light3m 38s
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Adding spot lights5m 2s
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Adding point lights2m 30s
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Lighting effects5m 22s
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11. Adding Depth with Particles
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Using Trapcode Particular6m 22s
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12. Mixing in Footage
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Refining the time remapping4m 34s
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13. Creating 3D Perspective with Vanishing Point
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Why use Vanishing Point?2m 16s
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Preparing files in Photoshop4m 32s
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14. Viewing in 3D
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Adding a 3D rig1m 59s
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Changing the 3D method used4m 23s
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Choosing a render method5m 44s
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Conclusion
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Wrapping up43s
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Video: Adding a 3D rig