Join Josh Harris for an in-depth discussion in this video Starting from a pre-existing Pro Tools multitrack session , part of Remixing Techniques: Time Stretching.
During this chapter, I'll be using Pro Tools on the Mac platform for the demonstration.…The menu choices and keyboard shortcuts I'll be using are for that DAW and platform only.…If you are using a different DAW or are on a different platform, obviously,…you'll be using different keyboard shortcuts and menus.…But the remixing concepts will be the same.…If you need a refresher on your DAW of choice, please seek out the Essential…Training title for that DAW on the online training library here at lynda.com.…Additionally, you can reference the chapter in this course where I do use your…DAW for the demonstration, and I'll show you the basic remixing tools and…techniques for that DAW and then return to this movie and go through this…chapter's concepts with the techniques appropriate to your situation in mind.…
Every once in a while, I won't have the luxury of being given vocal stems, and I…have to use a multitrack session like in the case of this song, Waiting in the Road by Jody Nardone.…What I have here on the Desktop is Jody's original multitrack Pro Tools session,…
- What is time stretching or expanding?
- Understanding how time stretching fits into the remixing process
- Working in Pro Tools, Logic Pro, Ableton Live, or Reason
- Calculating the tempo of the original track
- Dealing with wet vocal stems
- Importing vocals with the 10% time-stretch rule
- Comparing time-stretched vocals at faster tempos
- Putting a time-stretched vocal in context
- Setting up a session for double-timing a vocal
- Creating a 4/4 remix from a song originally in 3/4 or 6/8
- Tightening up a vocal that drifts from the click track
Skill Level Intermediate
Audio Foundations: Compression and Dynamic Processingwith Brian Lee White2h 25m Appropriate for all
1. Time-Stretching Basics
2. Tools of the Trade
3. Technique 1: Speeding Up Vocals
4. Technique 2: Slowing Down and Double Timing Vocals
5. Technique 3: Creating a Composite Vocal from Multiple Time Stretches
6. Technique 4: Transforming a 3/4 or 6/8 Vocal into 4/4
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