In this video, learn how to apply studio techniques to large objects.
- In real-world photography, larger scale subjects,…such as automobiles, furniture, and equipment,…are too big to fit in a lightbox.…Nevertheless, we need to light these subjects evenly…and with an eye for aesthetics.…To satisfy these conditions, it's common for a studio…to be painted white to maximize diffused reflections.…Essentially the whole room is a lightbox.…White diffused surfaces absorb very little light,…reflecting it back into the scene.…
The light then scatters and suffuses through the space,…providing even diffused elimination.…The floor may be painted black…to prevent too much bounce light from below.…Getting good specular highlights on a large, glossy surface,…such as car paint or metal, can be very challenging.…The surface has little or no roughness,…so it produces sharp mirror reflections.…We can't expect to see much of a highlight…with a standard light, such as a studio spot or flood.…
To produce a large highlight on a large glossy surface,…we need a correspondingly large bright light source.…
AuthorAaron F. Ross
- Choosing a visualization app
- Managing assets
- Shading with materials and textures
- Daylighting, practical lighting, and studio lighting
- Lightbox and macro photography
- Vehicles and large-scale objects
- Architecture and interior design
- Technical illustrations
- Rendering passes and light groups
- Rendering for print, prepress, and broadcast
- Animating turntables and orbits
- Rigging and animating a walkthrough
Skill Level Beginner
3ds Max 2017: Advanced Lightingwith Aaron F. Ross2h 52m Advanced
3ds Max 2017: Advanced Materialswith Aaron F. Ross2h 34m Intermediate
3ds Max 2018 Essential Trainingwith Aaron F. Ross10h 10m Beginner
3ds Max: Rendering with Arnold (2017)with Aaron F. Ross2h 40m Intermediate
1. Preparation and Layout
2. Lighting and Shading
4. Rendering and Image Manipulation
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