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Defining mocha preferences

From: mocha 2.6 Essential Training

Video: Defining mocha preferences

mocha's Preferences are used to tune it to your workstation and network capacity as well as preset it for the most common types of clips you work on. Here, we'll take a look at the Preferences you're most likely to need. We'll find Preferences here in the mocha, pop-up, Preferences. We have Output Settings, System, Software Update, Clip, Lens, Logging, and, of course, Keyboard Shortcuts. On the Output Settings Tab, here you get to set the Output Directory for your project, and your temporary renders.

Defining mocha preferences

mocha's Preferences are used to tune it to your workstation and network capacity as well as preset it for the most common types of clips you work on. Here, we'll take a look at the Preferences you're most likely to need. We'll find Preferences here in the mocha, pop-up, Preferences. We have Output Settings, System, Software Update, Clip, Lens, Logging, and, of course, Keyboard Shortcuts. On the Output Settings Tab, here you get to set the Output Directory for your project, and your temporary renders.

The Relative Path is what puts the Results folder in the same directory as your clip. If you want to set the Absolute Path, you can then direct it to any place you want. This will report Disk Space Availability, and if you would like your Cache Temp Directory to go somewhere else, you can stipulate that here. The Cache Original Clip feature: if you're working on a slow network but you have a fast local drive, the Cache Original Clip feature will copy them from the server to your local drive, and help speed up your productivity. Use Textures here means mocha will use your video card for doing playbacks, which will speed things along.

However, some video cards can't handle it, so you would turn that off here if you're having trouble with your video card. Down here is the amount of RAM from your video card that mocha will use for doing playbacks and about 75% of the RAM is what's appropriate here. Next, we will take a look at the System. So by default, Autosave is enabled and if you want to turn that off for some odd reason, there you go! This, of course, defines how many minutes between Autosaves. This is the number of screen layouts you can save and the default is 3.

You can increase that if you wish. Now Rotational Controls, you might remember that we come up here and select gamma, for example, and then twiddle a little circle to increase and decrease the screen gamma. That's what Rotational Controls are. If you want to, you can set up for Linear Controls and then you would click-and-drag sideways. If you want to change the color of your Layers and Splines and control points, you can do that here. This sets the maximum number of undo commands you have. Software Updates simply controls how mocha does the updates.

If you have this box checked, it's automatically going to check in with the Mothership. Otherwise, you can force a check by clicking this button here. The Clip Tab: with this tab you can set up the default configuration for clips that you load in. For example, if you're always doing video, you might set the Frames Per Second to 29.97. If you're only working with Cineon or DPX log files, you can set the Format for Log. If you're always working in video, you can set Timecode here, and if it's always interlaced, you could turn on the separate fields.

Now, the Lens Tab is really used with mocha Pro. It has a Lens distortion feature that you don't have in regular mocha. Logging: this defines the log that mocha creates in case you have a system problem. This button obviously enables it, and down here is the path name and the file name where the Log File goes. You can change that destination right here. Comprehensive saves out a very detailed report, but it does take a little bit of system resources.

So if you're desperate for machine cycles, you could set it for Normal, but then imagine your system will get less information on your bug reports. And the Keyboard Shortcuts Tab lists the shortcuts for each of the various modules. Right now the module is set for Track, but there are different shortcuts when you're in the Clip or in the AdjustTrack modules. So set this for the module you are interested in and look up your Keyboard Shortcut. Okay! That's enough about setting up a project and preferences.

Let's go back to doing some rotoscoping.

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This video is part of

Image for mocha 2.6 Essential Training
mocha 2.6 Essential Training

49 video lessons · 7700 viewers

Steve Wright
Author

 
Expand all | Collapse all
  1. 5m 23s
    1. Welcome
      1m 40s
    2. Getting to know the user interface
      3m 43s
  2. 1h 7m
    1. Drawing X-splines
      8m 2s
    2. Drawing B-splines
      5m 4s
    3. Editing splines
      3m 52s
    4. Keyframing splines
      6m 33s
    5. Discovering the timeline controls
      5m 52s
    6. Walking through the New Project window
      4m 23s
    7. Working with interlaced clips
      8m 19s
    8. Setting the color space
      4m 46s
    9. Defining mocha preferences
      3m 46s
    10. Walking through the Layer Control panel
      3m 22s
    11. Walking through the Layer Properties panel
      3m 29s
    12. Viewing mattes
      3m 41s
    13. Walking through the Edge Properties panel
      6m 24s
  3. 1h 8m
    1. A planar tracking demo
      6m 36s
    2. Setting motion options
      13m 12s
    3. Adjusting the tracking spline
      8m 51s
    4. Tracking awkward surfaces
      6m 3s
    5. Understanding the planar grid
      6m 50s
    6. Dealing with lens distortion
      7m 43s
    7. An AdjustTrack demo
      5m 49s
    8. Keyframing the AdjustTrack
      7m 48s
    9. Offsetting reference points
      5m 49s
  4. 1h 8m
    1. Strategizing shape distribution
      11m 21s
    2. Working with large areas
      2m 44s
    3. Selecting a start frame
      10m 38s
    4. Replacing a shape
      2m 54s
    5. Keyframing: Bifurcation
      4m 38s
    6. Keyframing: Straight ahead
      5m 17s
    7. Keyframing: Extremes
      9m 22s
    8. Keyframing: Maximum digression
      6m 45s
    9. Converting to stereo
      2m 54s
    10. Inspecting your rotos
      4m 43s
    11. Rendering mattes
      4m 45s
    12. Exporting shapes
      2m 54s
  5. 1h 30m
    1. Moving the camera with parallax
      5m 30s
    2. Moving the camera without parallax
      3m 58s
    3. Using multiple splines in a layer
      7m 23s
    4. Subtracting shapes
      7m 6s
    5. Stabilizing the viewer
      5m 46s
    6. Keyframing during tracking
      7m 24s
    7. Unlinking the tracker
      5m 8s
    8. Tracking manually
      12m 35s
    9. Defining corner pinning
      5m 4s
    10. Going further into the Track tab
      6m 53s
    11. Utilizing the more advanced AdjustTrack features
      8m 40s
    12. Working with the Stabilize tab
      6m 11s
    13. Exporting track data
      8m 53s

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