On Getting Published

On Getting Published

with Lynda Weinman and Peleg Top

 


Publishing high-profile design books offers the opportunity for up-and-coming designers to level the playing field with established design firms. lynda.com co-founder Lynda Weinman asked business coach and professional mentor Peleg Top to join her in the studio to share this method of raising a designer’s visibility by contributing to elegantly presented publications.

Peleg explains what publishers are looking for, how to navigate the publishing process, entering design competitions, and other effective ways to for creative professionals to best promote their design business.

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authors
Lynda Weinman and Peleg Top
subject
Design, Print Design
level
Appropriate for all
duration
19m 19s
released
Mar 12, 2010

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On Getting Published
The benefits of getting published
00:00(Music playing.)
00:08Lynda Weinman: Hello! I'm Lynda Weinman and I'm very happy to be here today with Peleg Top,
00:12a business development and marketing coach for the creative industry.
00:16And I was lucky enough to get to attend a seminar that you gave recently,
00:21that was about publishing your work to art books.
00:25And I wondered if you could introduce the talk that I was at and tell us a
00:29little bit about what transpired.
00:31Peleg Top: Sure, it's great to be here.
00:34The talk was a special evening that we organized with Nancy Heinonen who is a
00:40book producer with Crescent Hill Books.
00:43Nancy and I have been working together on a couple of book projects and she was
00:47in town working on a project with me.
00:48So we decided to invite some folks over and talk about some of the secrets
00:54behind getting your work published.
00:55Lynda Weinman: So just to give it a little bit of context, we're talking about like a
01:00design annual sort of book or-- we saw a variety of books at the talk on different themes.
01:05That's how it's generally works, right? There's a theme that gets established.
01:07Peleg Top: Yes, these are generally hardcover design annuals, design books that are
01:13collections of the "best of" in a specific topic.
01:17So, for example a book on the best logo design or the best design for sports
01:23marketing or the best design for cause related books, which is the new book that
01:28we were promoting at this event.
01:29Lynda Weinman: So as a creative professional what are the benefits to getting your work
01:35published in a book?
01:36Peleg Top: Great benefits!
01:37There's first credibility.
01:39When you get your work published, especially in an art book, it just sets you up
01:44as a professional right away.
01:46It's when other people talk about you when you get your work published.
01:49It gives you the credibility and honorable mention that it could really help in
01:53getting your name out there.
01:55So publicity is another great benefit of the art, getting the work out there.
01:59Lynda Weinman: Is submitting your work to these types of books a way to get rich or make money?
02:04Peleg Top (laughing): Um, no.
02:07Submitting the work is really a chance to get your name out there and to get
02:11publicity and to grow your business and grow your name.
02:15Even producing this book or making these books it's not about the money.
02:19There's really not a lot of money in this.
02:21It's all the benefits that come from the book.
02:24It's this ripple effect that happens afterwards. Becoming the author of or having
02:30a chance to get your work out there worldwide. International distribution.
02:36It's a lot of value in that.
02:37Lynda Weinman: Sure.
02:38If you have a new client, handing them a book and showing that you have a piece
02:41in there can't hurt. [00:02:42.45 ] Peleg Top: It's also good for the client relationship.
02:44If you're my client and we did a great branding campaign for you and you got
02:48accepted into this really beautiful glossy that's only featuring selected,
02:53top-level designers from around the world,
02:55you bet that your clients are going to be impressed.
02:57Lynda Weinman: Good point.
02:58Well, I think even for those of you who are watching this who are not
03:02interested in submitting your own work, these types of books can be such great,
03:06creative fodder for just inspiring you.
03:10Even if you're trying to do a holiday card to get up one of these books and just
03:14get inspiration even if it's just a personal piece.
03:17These books really serve all levels of designers and non-designers.
03:21A very good purpose to help be inspirational and aspirational.
03:24Peleg Top: Absolutely!
03:26And at my agency we had a library room with five bookcases of annuals and
03:32design books that we used on a daily basis for reference and inspiration.
03:36And it was a great tool for us to have when we're sitting down with the client
03:40and trying to brainstorm a design direction,
03:43to just start looking at things and get an idea what the client is even thinking.
03:47What are they like, what attracts them?
03:48So, it was inspiring not only for us but also for the clients because it just
03:53opens up possibilities.
03:55Lynda Weinman: That's right!
Collapse this transcript
Publishing opportunities
00:00(Music playing.)
00:05Lynda Weinman: So how would a artist or designer who has material to submit to this type of book
00:11even understand that there was a call for the work?
00:14I mean, how do you know even the avenues for where to get your work published
00:18in these design books?
00:19Peleg Top: Well, the first thing that I would do if I was a designer looking to publish my work
00:23is first buy a few of these books and go to a bookstore to see who's
00:28publishing these books.
00:29And get on the publisher's mailing list.
00:32So you know when they have a new book project come up.
00:35All the book publishers have regular e-mail blasts that they send out saying
00:40call for entries, we're accepting work for this book right now.
00:42We're working on this project.
00:44If you got anything, send it in. And they do that way in advance of the
00:48book being published.
00:49So that usually gives you enough time to prepare the work and send it in.
00:54That would be step one.
00:55Once you are on these lists, you'll know.
00:58Lynda Weinman: So if I am wanting to get my work published, does it typically cost money to
01:03enter in those competitions or enter book projects like these?
01:05Peleg Top: There's two ways to approach that.
01:08There are some book projects out there one can enter work for free and some
01:14projects are with paid submission.
01:17Some of the design competitions that magazines run mostly are paid and I think
01:23that's another vehicle for the magazines to survive these days is through these competitions.
01:28It's an income-generating vehicle for them as well.
01:32I actually like the competitions that charge, even if it's a minimal charge,
01:36because being on the other side of an author that has to edit
01:40entries when a book gets thousands and thousands of submissions that are free,
01:45it's a lot harder.
01:47It takes a lot longer for the book to come together just because of the time
01:52involved in judging the book.
01:54When there's a paid submission, even if it's usually between $30 to $60 to $100
01:58depending on the magazine or the publication,
01:59yeah, it's not bad. In the big scheme of things, if it gets accepted in the book,
02:05the value that you get is a lot more, a lot more than that.
02:09Many of my clients and maybe agencies that I work with, they set a budget
02:13up annually for submissions, for some of the more high-end books that are out there.
02:18It could be maybe, I don't know, $500 to $700 a year in submissions cost to
02:23enter the work in and I know some agencies that have built a career on
02:30submitting work into books.
02:32At one point when they submit so much work, you start seeing them everywhere.
02:37The familiarity and their name becomes just memorable with clients and within
02:43the industry as well.
02:44Lynda Weinman: So, I know we're talking about physical books but obviously we're in the
02:51Internet age and there are lots and lots of ways to get your work published.
02:55And so do you have any suggestions beyond the book of how to get your work seen
03:02in different mediums, either, there are other print mediums like magazines,
03:07but also I assume there are some online areas where you can enter your competitions
03:11or different avenues.
03:12Peleg Top: Sure, sure! Magazines is definitely another avenue.
03:16The magazine world is shrinking unfortunately.
03:20But they're still out there and they're going strong.
03:22So I would highly recommend to not abandon that avenue.
03:26But the online channel is thriving and it is growing and right now blogs are
03:33probably the one online vehicle that will allow you to showcase your work.
03:40Some of the magazines actually run blogs.
03:42So, they're figuring out that there's a communication avenue with their
03:46audience that's not just the print but also online.
03:50So they run blogs that publishers work all the time.
03:54Besides that it's still a new territory I think in that arena and I think
03:58the publishing world's trying to figure that out.
03:59Lynda Weinman: So with everything going on in the digital world right now and with print kind
04:05of being actually in peril to some degree.
04:08I mean we're watching magazines go out of business and even bookstores have
04:14problems but publishers have problems.
04:16What's your take on all of that in terms of design annuals and do you see any
04:21kind of trend or direction that you want to describe to people?
04:25Peleg Top: I think it's too early to know but from my observation just over the last couple
04:31of years I see that the more specialized books are still around and the more
04:38general books are not selling as much.
04:42So specialty publications, specialty books, I think will still be around.
04:46Not maybe as many quantity, not so many will get published.
04:51It's great if people, we and designers especially, you know print is not dead and
04:57there's still a marketplace for it, even though it's shrinking.
05:00So the books may be a little more expensive.
05:02It helps make the best work rise to the top and all the average work that's out
05:07there will find a place online.
Collapse this transcript
Becoming an author
00:00(Music playing.)
00:05Lynda Weinman: When you got your start, did you start by entering these competitions?
00:08Because you've really evolved to where you actually come up with the themes
00:11of these books and you're the author, the lead catalyst, for the different
00:15concepts at this point.
00:16But when you got your start, did you simply submit like what we're describing
00:22for other artists to do?
00:23Peleg Top: Yeah pretty much.
00:24A lot of people used to call me a shameless self promoter.
00:27Self-promotion and marketing my work was an important vehicle to growing my business.
00:32So submitting work into books and design competitions and annuals was a routine
00:40thing that I would do.
00:41Now I wouldn't get accepted to all of them, but you know it's a numbers game.
00:45The more you enter, the more chances you have to get accepted.
00:47Lynda Weinman: And when was it that you made the evolution?
00:50What was your first project that you've actually led and came up with the actual
00:55concept for the project?
00:56Peleg Top: Well, the first design annual that I authored was pretty much presented to my by
01:03a publisher, which is not very common, but I think one of the reasons that
01:09happened was because of the shameless self-promotion that I've done for my
01:15studio at the time and basically I got on their radar and
01:19they approached me and say, Oh, we see that you do a lot of work and in this arena.
01:23Would you like to do the next logo book that we're producing?
01:26Of course I said yes, which was a great experience and it gave me a chance to
01:33learn what is a take to put a book like this together, what is the process all about.
01:38And once I've learned that process I realized that having a name, my name on
01:44the book, elevates my credibility, especially as I'm developing and growing my business.
01:49Especially in front of my clients and clients to be, because all of a sudden,
01:52I am the author of, not just the designer or-- So walking into a meaning with the book,
01:58there is a big wow factor in that.
02:00The clients are really impressed with it.
02:02Lynda Weinman: I know when I wrote my first book, it was really hard for me to convince a
02:06publisher to actually like my idea and accept my idea.
02:10It was quite a process to get noticed and I actually took the route where I
02:15wrote my book as magazine articles.
02:18I was able to convince a magazine to run the articles but I wasn't able to
02:22convince a book publisher to publish it as a book.
02:24So when you described that you were shameless self-promoter, what sorts of
02:28things do you think you did at that time to get yourself noticed by these
02:31publishers and what advice do you have for people out there today who are not
02:35yet on any publisher's radar?
02:37Peleg Top: Well to get on somebody's radar is to have a well-oiled marketing machine in place
02:42that regularly reaches out to these publishers and just let them know
02:47what you're up to.
02:48So if I would finish an interesting project, photograph it, send it to them.
02:53You never know.
02:54They may have a feature story about something in that area that they could use
02:59sample of the work or quote you in the article for it.
03:02So I've developed my media list and had all the target editors on that list and
03:08regularly just kept in touch with them.
03:12Writers, magazine editors, and book publishers, they're always looking for content.
03:17So give it to them.
03:18You never know what they're looking for but you want to make sure that you are
03:22on their radar when the right article or the right topic comes up.
Collapse this transcript
Navigating the publishing industry
00:00(Music playing.)
00:04Lynda Weinman: The woman who you had speaking at your seminar, Nancy Heinonen, was actually a publisher
00:10or no, she was a packager.
00:11Or what was she exactly and explain her role?
00:13Peleg Top: She is actually, I know not all people know about this role, she is actually
00:16a book producer.
00:17Lynda Weinman: Right.
00:18Peleg Top: She is the person between the author and the publisher.
00:24So her position is very different because she produces the entire book,
00:30gets it printed, gets it packaged and then hands 10, 15, 20,000 copies to the publisher
00:36who takes it out to market.
00:38So she deals with the publisher, with all of the changes and all of the nightmare
00:43parts of the project.
00:44So it's actually pretty nice thing to have in place.
00:47It's almost like having an agent.
00:49Lynda Weinman: Yeah and you have done quite a few projects with her at this point.
00:54How many years have you two been working together?
00:56Peleg Top: Well, we've only worked together for a couple of years and the reason that I got
01:00on her radar was because she saw some of the other books that I've done and
01:04thought these are interesting books.
01:06So she approached to me and said, "do you have any ideas for books?"
01:10Because she would like to produce some and I did and I pitched her the ideas and
01:16she pitched it to the publisher and we got the deals.
01:17Lynda Weinman: Back in the day when I wrote my book proposal, I didn't have any real guidelines
01:23or know how to do it exactly and I kind of winged it.
01:26But are there any rules or thumb that you would recommend for submitting a
01:30concepts for one of these types of books?
01:33Peleg Top: Sure.
01:34If you're a creative person who has an idea for a book that doesn't exist out
01:39there yet for specific niche market, flesh out that idea in a way that can
01:45sell the concept to your publisher.
01:47So think about things that a publisher would want to know, like why do we want a
01:52book on this particular topic?
01:54What makes this book unique?
01:56Why will this book sell?
01:58Who is the target market?
02:00What other titles are out there today or have there been titles on this book in past?
02:08And if you can look that up and see well how many did they sell.
02:11It'll be a good exercise for someone to go through as they're fleshing out their idea.
02:16But that's the kind of stuff.
02:18Put yourself in the publisher's shoes and think about if I was a publisher
02:21about to take this to market, what kind of questions will I ask myself about this book?
02:26So provide the publisher the answer because that will be what convinces and
02:30persuades him to put the book together.
02:33Lynda Weinman: Now at the seminar I attended, you actually passed out a sample proposal.
02:37Are you can share that with lynda.com members too?
02:38Peleg Top: Yeah absolutely.
02:39Lynda.com members can get a sample, basically a template with just,
02:43it's basically a bunch of questions that you need to answer.
02:45That's what a proposal is all about.
02:47So yeah absolutely, download the template and put it to good use.
02:50Lynda Weinman: So what is that process like when you're pitching the actual concept of the book?
02:55Peleg Top: Well it starts with a phone call.
02:57It starts with a phone call, an enthusiastic phone call.
03:00So if you have an idea that is so great and nobody has done a book like this in
03:06the marketplace about this specific topic, and it could also ultimately serve
03:12your business, serve the niche that you're serving in the marketplace,
03:17start with a phone call to a few publishers and say, hey I have this book idea.
03:23Before you even put anything in writing, just run it verbally by them.
03:27If it all interests them, at that level, they'll will say put it in the writing,
03:32flesh this idea out, let's see what else is in there.
03:36So that's the first step, which you know sometimes they buy the idea and
03:40sometimes-- they know the market a lot better, they know what sells.
03:43So the more ideas you have, the more you can pitch and ultimately if it's
03:48the right idea and what they're looking for, they'll consider it.
03:51Lynda Weinman: I think people probably sometimes look at published authors like ourselves and
03:55wonder, "how did they get the courage to think that their idea was publishable or
04:00that their work was of enough value?"
04:03And don't you think that kind of overcoming that insecurity is part of what it
04:08takes to come up with your own book concept but even just to submit your work.
04:12I see a lot of people who have insecurity like "I'm really good enough" or they,
04:16you know, "should I really submit this idea or submit this work?"
04:20"Am I going to get rejected and what's that's going to feel like?"
04:22Can you talk to that point a little bit?
04:24Peleg Top: Sure.
04:24Well, there is no reward if there is no risk involved.
04:28So sometimes we have to step out of our comfort zone a little bit and go to
04:33that place that is unknown to us and try something new.
04:38One needs a little bit of chutzpah in this arena and getting
04:43somebody's attention.
04:44But the easiest way to overcome it is just by doing it.
04:48Lynda Weinman: And I think it's also really important to say that I was rejected and you've
04:54probably been rejected multiple times.
04:54Peleg Top: Absolutely, absolutely.
04:56Lynda Weinman: And that your first idea isn't the idea that gets accepted and
04:59the persistence is part of what you do to build up your confidence and also
05:03your skill at proposing ideas.
05:06Peleg Top: And sometimes the idea that you propose initially may not be the right
05:12publisher or the right time.
05:14The book that I am designing for the Greater Good went through three pitches
05:18with three other publishers that passed on it.
05:20They said, "no, we don't think this book will sell" and HarperCollins thought it would.
05:25So they took the project on.
05:27So I actually wrote the book proposal for this book three years ago and
05:32it took us about 3 years.
05:33Lynda Weinman: Wow and that book idea is about the nonprofit and...
05:34Peleg Top: Yeah, it's about cause related and nonprofit-- designing for cause related
05:38causes and nonprofits.
05:41I always thought it would be a great book and it took the right person to
05:45believe in that idea.
05:46And when actually Nancy approached me and she said, "what the book ideas do you have?"
05:51And I pitched her this book because I had the idea already in the back pocket.
05:54She thought it was a great idea and took the project on and to her surprise
06:00the amount of entries that we got for this book, because these books are a collection
06:04of people submitting work into the book, we had about four times as many
06:10submissions than any other books that they've ever done.
06:13So that just shows me that there is interest in the marketplace for people to
06:18read about this topic.
06:19Lynda Weinman: Absolutely and for what it's worth, for my first book proposal, which was
06:22rejected, ended up being a bestselling book idea that I was never able to repeat
06:27the success of that one book.
06:28It was actually my biggest selling book idea ever and it did get rejected.
06:32So it isn't always the end of an idea just because it gets rejected.
06:37It's certainly important.
06:39Well I'm so glad there are people like you who are creating books like this and
06:42thank you so much for sharing your insights with us today.
06:44Peleg Top: Thank you.
06:45It's been great to be here.
Collapse this transcript


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