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By Robbie Carman | Friday, November 08, 2013
Explore DSLR Video Tips at lynda.com.
Blackmagic Design is well known for its reasonably priced video post-production products, including interfaces and adapters. Recently they’ve also started making cameras, including the Blackmagic Cinema Camera, Production Camera 4k, and Pocket Cinema Camera—all with high-end features and great price points.
On this week’s episode, we’ll take a look at the small, yet capable Blackmagic Pocket Cinema Camera.
About the same size as a traditional point-and-shoot stills camera, the BMPCC is capable of shooting video using Apple ProRes 422 (HQ) and now, the compressed RAW format as well, all to a fast SD card. It’s a versatile camera that we’re sure will be in the hands of lots of filmmakers.
This week we cover
• Getting to know the camera
We’ll explore the details of the Pocket Cinema Camera, including its ergonomics, which lenses to use, crop factor, power, and firmware.
• What to look out for
No camera is perfect, and we’ll show you some of the limitations of the Pocket Cinema Camera.
The Pocket Cinema Camera can shoot Apple ProRes 422 (HQ) in a couple different modes and soon it’ll be able to shoot RAW video. We’ll take a look at how to best handle files coming off the camera.
• Real-world examples
We’ll evaluate several shots from a studio shoot, breaking down what we liked and what we didn’t.
Check out both the sample video above and this week’s complete episode on lynda.com.
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Tags: Robbie Carman, Richard Harrington, Rich Harrington, DSLR Video Tips, RHED Pixel, Blackmagic Pocket Cinema
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