New Feature: Playlist Center! Pick a topic and let our playlists guide the way.

Learn it fast with expert-taught software and skills training at lynda.com. See what you can learn

By Rob Garrott | Wednesday, November 23, 2011

How to create a camera shake in CINEMA 4D

Welcome back for another Design in Motion! This time around we’re going to have some fun in CINEMA 4D building a camera rig that will give you the ability to add very convincing multi-directional camera shake that is easy to control. Camera shake is an important component of animation. Just like motion blur, it adds a lot of realism to your movements.

Last week I introduced you to the idea of expressions in After Effects. CINEMA 4D also has an expression language—in fact—CINEMA 4D has three expression languages; Xpresso, Coffee, and Python. Don’t be alarmed, though—we won’t be writing code. We’re going to use the Xpresso language, which is a visual, node based way of making connections between objects and parameters.

Even though we’re building an easy to use camera rig, really, this technique is largely about the idea that you can use the Xpresso language to control objects and animation.

Interested in more? • The full Design in Motion series in the Online Training Library® • All 3D + animation courses in the Online Training Library® • Courses on CINEMA 4D in the Online Training Library® • Courses by Rob Garrott in the Online Training Library®

Suggested courses to watch next: • CINEMA 4D: Rendering Motion Graphics for After EffectsCINEMA 4D R12 Essential TrainingAfter Effects CS5.5 New Features

By Michael Ninness | Wednesday, October 13, 2010

Avid dot-release for Media Composer 5 now available

Avid recently released an update to its popular Media Composer 5 video editing software that fixes several bugs, including:

1) Default Segment Mode setting The MC default for the timeline setting “Default Segment Tool” has been changed from overwrite to insert.

2) Copy/Paste Segment Mode fix When copy/pasting mark in/out with no segment tool active, the paste mode will no longer be the last used segment mode but the default segment mode. Most editors want to paste in insert mode so unless an editor changes the default (insert), MC will paste in insert mode. The only time MC will paste in overwrite is if the user has only the segment overwrite tool active when paste is executed, as in versions prior to 5.

3) Smart Tools auto selection bug A bug has been fixed that auto selected the default segment tool when an editor cut a marked in/out selection (Ctrl+X) with no segment tools active.

For information on how to obtain the 5.0.3.4 patch, go to Avid’s support area on its site: http://www.avid.com/US/support/downloads/

If you are a brand new user of Avid Media Composer 5, be sure to check out our crash courseAvid Media Composer 5 Getting Started with Steve Holyhead. For a deeper dive, Avid Media Composer 5 Essential Training with Ashley Kennedy is also available.

By Megan O. Read | Tuesday, December 08, 2009

Premiere Pro CS4 course shows how to tell better stories with creative editing

Images from Chapter 4, The Art of Video Editing

Several examples from Chapter 4, The Art of Video Editing. Clockwise from top, two clips from "House on Haunted Hill" with Vincent Price, Kuleshov's Effect, from "Amar el Cine," music video for the Zen Chemists, scene from "Ninja Death 3."

Premiere Pro CS4 Beyond the Basics with Chad Perkins is an exciting release for video editors, but I’d argue that there could be something for everyone in this course.

In Chapters 2 and 4 for instance, (Tips for Shooting Video, and The Art of Video Editing), Chad touches on key tips that anyone with a camera and a story to tell can use. From telling better stories through suggestive editing, to setting a mood using emotional cutaways, the importance of pacing, and thankfully, how to avoid bad edits.

A few other highlights that caught my eye were the chapter on Editing a Music Video, the advanced video concept of getting video to look like film (in Chapter 14), and the awesome creating a day-for-night shot in Chapter 7. (So that’s how they shoot all those night shots in movies!)

Chad also covers special effects, color correction, and keying and compositing, integrating all these concepts as he builds a music video project from scratch. Check it out and let us know what you think.

Get the latest news

  •   New course releases
  •   Pro tips and tricks
  •   News and updates
  
New releases submit clicked

You can change your email preferences at any time. We will never sell your email. More info

Featured articles

A lynda.com membership includes:

Unlimited access to thousands of courses in our library
Certificates of completion
New courses added every week (almost every day!)
Course history to track your progress
Downloadable practice files
Playlists and bookmarks to organize your learning
Become a member

Thanks for signing up.

We’ll send you a confirmation email shortly.


Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

Keep up with news, tips, and latest courses with emails from lynda.com.

Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

   
submit Lightbox submit clicked
Terms and conditions of use

We've updated our terms and conditions (now called terms of service).Go
Review and accept our updated terms of service.