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By Jim Heid | Thursday, June 20, 2013

The Practicing Photographer: Compositing Street Photography Images with Photoshop

Practicing your photography skills also means practicing your post-processing skills. Almost every photo can benefit from some refinement later, whether it’s to optimize exposure, crop for better composition, or to retouch and remove unwanted subject matter. Back in the day, post-processing happened in darkrooms and at light tables. These days, it more commonly happens in Photoshop or programs like Lightroom and Aperture. Regardless of the tool, post-processing is an important part of the photographic process.

In this week’s installment of The Practicing Photographer, Ben Long dives into Photoshop to examine the process of combining, or compositing, two similar photos to obtain the best parts of each one. His subject is a street scene in San Francisco. Ben shot a photo of a bicyclist entering an intersection, but just as he pressed the shutter, a pedestrian intruded into the edge of the shot.

Compositing two images together

By Chris Meyer | Friday, April 05, 2013

After Effects technology preview: Part 1

Adobe has started to reveal some plans for its next generation of pro video tools. Using a prerelease version of After Effects, I’ve recorded two hours of videos for lynda.com to keep you ahead of the curve. Over the course of a few blogs, I’ll fill you in on some of the interesting features that are on tap. First up, the new integration between After Effects and CINEMA 4D.

Live 3D pipeline between After Effects and CINEMA 4D

A couple of weeks ago, Adobe and MAXON issued a press release announcing a “strategic alliance … to bring creative professionals new levels of digital media content creation.” Buried inside that release was the intriguing statement that “As part of the alliance, both companies are expected to collaborate and engineer a pipeline between Adobe After Effects software and CINEMA 4D to give users a seamless 2D/3D foundation.” Now we can finally see what they were hinting at.

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