By Justin Reznick | Friday, August 15, 2014
There’s sort of a “rule” in outdoor photography that you should never shoot long exposures of flowing water.
But I’m going to show you how rules can, and sometimes should, be broken.
By Jeff Carlson | Tuesday, August 05, 2014
At Sparks Lake in Oregon, my fellow workshop participants and I parked in a designated lot in pre-dawn darkness. We unloaded our gear and snaked along a short, well-maintained trail to the lake’s edge and set up cameras and tripods on a rocky, raised overlook.
The sky, unfortunately cloudless, treated us to blue and purple hues as the sun rose to the right of two mountains, Broken Top and South Sister. I composed and captured a variety of images, and then noticed the sun was starting to break across the peak of Broken Top.
Just as I was setting up a new composition, I spied movement in my viewfinder. Another photographer came scrabbling along a tiny spit of rocks I was using to frame the mountaintop’s reflection and set up his tripod.
In my shot.
What’s the proper etiquette when you’re shooting on location?
By Derrick Story | Friday, August 01, 2014
Lightroom Mobile is an app that lets me bring bits of my Lightroom library with me on the road. But after using it in Hawaii for a week, the tool felt more like a one-way ticket than a roundtrip.
It does a decent job of providing mobile access to an established library on a Windows or Mac computer back home. Using Creative Cloud as the conduit, I can sync Collections within my Lightroom catalog, and view them practically anywhere on an iPad or iPhone. That’s handy.
But I also wanted to upload and manage pictures that I captured in Maui using Lightroom Mobile on my iPad. Going this direction—let’s call it the return trip—was bumpier. The biggest roadblock was that I couldn’t add IPTC metadata, such as copyright, caption, and author name.
Here’s a closer look at how this journey unfolded:
By Kevin Steele | Wednesday, July 30, 2014
Sports photography is not limited to shooting from the sideline or documenting a race or event. Most of my commercial advertising and editorial work is staged and set up with careful planning and teamwork.
Here’s how I capture the quintessential moment of action—from advance planning to on-the-fly experimenting.
By Jan Kabili | Monday, July 28, 2014
Putting your finger on a particular photo in a large Lightroom library can be like finding a needle in a haystack. Keywords get my vote for the most powerful way to keep track of photos in Lightroom.
Here are my favorite tips for making keywording in Lightroom work for you:
By Joseph Linaschke | Thursday, July 24, 2014
Macro photography requires a big investment in lots of expensive gear, right? Well, maybe not. With a little creative thinking, you can save money by doing some amazing things at home.
A ring light is an expensive but incredibly useful accessory for shooting flash photography of close-up objects. If you aren’t ready to invest in one, but want to play around with one, try this:
Using nothing more than a Pringles can and a few common household items, I’ll show you how to create softly lit macro photos with a pop-up flash.
By Carolyn E. Wright | Monday, July 21, 2014
Friends are asking you to take their family photos. Strangers are inquiring about copies of your images. You’re thinking about trying to make some money from your photography.
But what do you need to get started? Here’s a checklist for getting started with your photography business.
By Jeff Carlson | Thursday, July 17, 2014
An iPad in your photo bag gives you more than just a way to check your email when you’ve finished shooting. In Part 1 of this series, I pointed out how the iPad can help you research photo locations. In Part 2, I demonstrated how valuable the iPad can be for importing and reviewing photos while you’re still capturing them on location.
But what happens after the shots are captured? Traditionally, you’d have to wait until you could transfer the photos from your memory cards to a computer for further work. With the iPad, though, you can get a jump on important post-processing tasks like rating and applying keywords while you’re still in the field and your memory’s fresh—and so they don’t loom over you when you get home.
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