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By Tim Grey | Wednesday, May 07, 2014
One of the best-kept secrets of Adobe Camera Raw is that you can process multiple photos in batch, synchronizing settings across multiple images, and even fine-tuning the settings for each image individually. This provides a workflow that’s easy and efficient to implement—especially compared to using an action for batch processing multiple images within Photoshop.
I recommend getting started in Adobe Bridge, where you can make use of the Filter panel (available from the Window menu) to filter images, selecting those you want to process. This generally involves images of the same basic subject that were captured at about the same time, with the same overall lighting conditions and exposure settings.
By Tim Grey | Tuesday, May 06, 2014
Clouds are a popular subject for time-lapse photography, and for good reason: The result can produce a fascinating display of billowing buildups or a time-accelerated flow of clouds across the frame. But there are a few things you’ll want to keep in mind when shooting clouds as a sequence of images you plan to assemble into a time-lapse video.
By Vincent Versace | Thursday, May 01, 2014
Want a photography workflow that makes it easy to find images in your archive—using only basic logic and memory? Adopt these four habits now, and you’ll be able to find the photos you need later.
By Chris Orwig | Thursday, April 10, 2014
Lightroom Mobile is a new iPad app that might just change the way you work on your photos. When I first started using it as a beta-tester a few months ago, I was curious but not convinced. Truth be told, when it comes to new technology I’m a bit of a skeptic; apart from something being new, I want to know if it’s actually going to improve my life. Yet after a few weeks, my skepticism completely dissolved and I now consider Lightroom Mobile to be a game changer for photographers in the best possible way.
For the last seven years, working in Lightroom meant working on a traditional computer (desktop or laptop). But as the photographer’s toolkit expanded to include other devices like mobile phones and tablets, it seemed like Lightroom was missing the boat—that is, until now.
Lightroom Mobile isn’t just another make-your-photos-look-better app. Sure, it does that, but more importantly it extends your Lightroom Desktop workflow in a helpful way. Here’s how it works.
By Jim Heid | Thursday, January 16, 2014
Last week, we published a new course called Photographing Clothes and Textiles. The fourth course from photographer Konrad Eek, it’s a detailed look at styling, lighting, and photographing everything from garments to beach towels.
Top-notch textile photography—indeed, top-notch product photography of all kinds—greatly benefits from dedicated lighting gear such as studio strobes or compact flash units. But what if you simply want to take an attractive product shot for an online auction or a webpage?
That’s the topic Ben Long explores in this week’s installment of The Practicing Photographer. Ben joins Konrad Eek for a look at some simple, inexpensive techniques for taking great-looking product shots without any external lighting gear.
By Jim Heid | Thursday, November 21, 2013
In this week’s installment of The Practicing Photographer, Ben Long combines two techniques that involve capturing the world in unique ways—ways that we can’t see with our eyes but that photography lets us bring to life.
One technique is high dynamic range, or HDR, photography. That’s the process of taking multiple shots of a scene, each with a different exposure setting, and then merging them into one photo that captures a broad range of bright and dark tones. Ben describes HDR in detail in his course Shooting and Processing High Dynamic Range Photographs (HDR).
By Jim Heid | Thursday, November 14, 2013
Whether you call yourself a photo enthusiast or a pro, whether you shoot with a phone or with film, you probably have themes that crop up frequently in your photography. By intent or by accident, certain subjects or themes surface in your photos—whether dogs or rivers or carefully crafted coffee drinks.
Or bicycles. Ben Long likes bikes, and he finds himself photographing them frequently. As he describes in this week’s installment of The Practicing Photographer, he hasn’t yet photographed The Perfect Bicycle shot, but he keeps practicing. And that’s what it’s all about. Maybe one day he’ll find a perfect bike in a perfect setting with perfect light, but in the meantime, he’s refining his eye and building a library of thematic shots—photographic studies of the lines and shapes of bicycles.
By Jan Kabili | Monday, November 04, 2013
1. Organizing before importing
Before you start importing photos into Lightroom, it’s a good idea to set up a folder structure for your photos outside of Lightroom. Make a top-level “Lightroom Photos” folder to hold all the photos you’ll eventually import. This top-level folder is important because it will make it easier to move all your photos to a larger drive if necessary in the future. Inside the top-level folder, organize your existing photos into subfolders by shoot date or subject matter. The subfolders will help you locate files in the Folders panel in Lightroom’s Library.
After organizing your existing photos into a folder structure like this, you can import them all into Lightroom together. Each time you import new photos after a shoot, you’ll have a well-organized folder structure ready to receive them.
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